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Zusatztext Offers stimulating questions and music analyses. Informationen zum Autor David Neumeyer is Marlene and Morton Meyerson Professor in Music and Professor of Music Theory in the School of Music, The University of Texas at Austin. He is the author of several books including, most recently, a textbook with James Buhler and Rob Deemer entitled Hearing the Movies (Oxford 2010). Klappentext The Oxford Handbook of Film Music Studies gathers two dozen original essays that chart the history and current state of interdisciplinary scholarship on music in audiovisual media, focusing on four areas: history, genre and medium, analysis and criticism, and interpretation. Zusammenfassung The Oxford Handbook of Film Music Studies gathers two dozen original essays that chart the history and current state of interdisciplinary scholarship on music in audiovisual media, focusing on four areas: history, genre and medium, analysis and criticism, and interpretation. Inhaltsverzeichnis 1. Overview David Neumeyer PART 1: Film Music : Central Questions 2. Music and the Ontology of the Sound Film: The Classical Hollywood System James Buhler and David Neumeyer 3. Opera and Film Marcia Citron 4. Visual Representation of Film Sound as Analytical Tool Rick Altman 5. Film Music from the Perspective of Cognitive Science Annabel Cohen 6. Composing for Film: Hanns Eisler's Lifelong Film-Music Project Peter Schweinhardt and Johannes C. Gall, translated by Oliver Dahin 7. Ontological, Formal, and Critical Theories of Film Music and Sound James Buhler PART 2: Genre and Platform 8. Drawing a New Narrative for Cartoon Music Daniel Goldmark 9. Genre Theory and the Film Musical Cari McDonnell 10. "The Tunes They are a-Changing": Moments of Historical Rupture and Reconfiguration in the Production and Commerce of Music in Film Jeff Smith 11. The Compilation Soundtrack from the 1960s to the Present Julie Hubbert 12. The Origins of Musical Style in Video Games, 1977-1983 Neil Lerner PART 3: Interpretative Theory and Practice 13. Classical Music, Virtual Bodies, Narrative Film Lawrence Kramer 14. Gender, Sexuality, and the Soundtrack James Buhler 15. Psychoanalysis, Apparatus Theory, and Subjectivity James Buhler 16. Case Studies: Introduction Robynn Stilwell 17. (Case Study 1) The Order of Sanctity: Sound, Sight, and Suasion in DeMille's The Ten Commandments Mitchell Morris 18. (Case Study 2) Strange Recognitions and Endless Loops: Music, Media, and Memory in Terry Gilliam's 12 Monkeys Julie McQuinn PART 4: Contemporary Approaches to Analysis 19. Transformational Theory and the Analysis of Film Music Scott Murphy 20. Listening in Film: Music/Film Temporality, Materiality and Memory Marianne Kielian-Gilbert 21. Auteurship and Agency in Television Music Ronald Rodman PART 5: Historical Issues 22. When the Music Surges: Melodrama and the Nineteenth-Century Theatrical Precedents for Film Music Style and Placement Michael Pisani 23. Audio-Visual Palimpsests: Resynchronizing Silent Films with "Special" Music Julie Brown 24. Performance Practices and Music in Early Cinema outside Hollywood Kathryn Kalinak 25. Performing Prestige: American Cinema Orchestras, 1910-1958 Nathan Platte ...
