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Originally titled "The Saddest Story" and heralded by Graham Greene as "one of the finest novels of our century," Ford's 1915 tale of passion and deceit in the lives of two married couples is a modernist masterpiece. The Norton Critical Edition of
The Good Soldier allows the reader to thoroughly study Ford's great work and unravel its mysteries and meanings. This Second Edition is again based on the meticulously edited first text of the novel and offers detailed annotation, a note on the text, and sections on textual variants and manuscript development along with pertinent illustrations.
"Backgrounds and Contexts" brings together important appraisals of the work directly following its publication. Reactions from Rebecca West and Theodore Dreiser are included among the reviews. The section also collects critiques on literary impressionism, including one by Ford, and related writings by Henry James and by frequent Ford collaborator Joseph Conrad, among others.
"Biographical and Critical Commentary" collects differing assessments of
The Good Soldier. Contributions from Richard Aldington, Samuel Hynes, John A. Meixner, Frank Kermode, Carol Jacobs, Thomas C. Moser, Ann Barr Snitow, and Vincent J. Cheng are joined by new selections from Colm Toibin, John G. Peters, Max Saunders, Karen A. Hoffman, and Julian Barnes.
A Selected Bibliography is also included.
About the author
Ford Madox Ford wurde 1873 in Merton in Surrey geboren. Bis 1910 führte er eine ebenso glänzende wie schillernde Existenz im Kreis der Londoner Intelligenz. Er war mit Henry James, D. H. Lawrence, H. G. Wellls und Ezra Pound befreundet. Vor allem aber arbeitete er eng mit Joseph Conrad zusammen, mit dem er mehrere Bücher verfasste. Nach dem Ersten Weltkrieg zog er nach Paris, wo er die Transatlantic Review gründete. Halbvergessen und von Geldsorgen geplagt, schlug er sich als Vortragsreisender in Amerika durch. 1939 ist er in Deauville gestorben.
