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Informationen zum Autor Formerly a music critic for the Times and dramaturg at the Royal Opera House, Covent Garden, Patrick Carnegy has lectured, broadcast, and published widely on Wagner, opera, and the theatre. Klappentext The production of Wagner's operas is fiercely debated. This book evokes the - often scandalous - great productions that have left their mark not only on our understanding of Wagner but on modern theatre as a whole. It concludes with a critique of the iconoclastic interpretations by Patrice Chereau, Ruth Berghaus, and Hans-Jurgen Syberberg. "'one of the most marvellous books I have read this year... Patrick Carnegy recounts with deep scholarship combined with good humour, Wagner's obsession with special effects.' (A.N. Wilson, The Daily Telegraph) 'Carnegy has managed to out-Wagner Wagner - spending 40 years writing about a century of Wagnerian productions... Carnegy was rewarded when his book won the Royal Philharmonic Society prize for 'creative communication'.' (Stephen Moss, The Guardian) 'A massive undertaking... This book is truly epic in its scope, and it will certainly become one of the standard reference works in English, not only in Wagner but on twentieth-century stagecraft.' (Patrick O'Connor, Literary Review) 'long meditated as well as meticulously researched... its overview is magisterial, and, despite its considerable length, the crisply organised structure and unfailing lucidity of the prose make it worth the effort of a thorough and continuous reading.' (Rupert Christiansen, The Spectator)" Zusammenfassung The production of Wagner's operas is fiercely debated. This book evokes the - often scandalous - great productions that have left their mark not only on our understanding of Wagner but on modern theatre as a whole. It concludes with a critique of the iconoclastic interpretations by Patrice Chereau! Ruth Berghaus! and Hans-Jurgen Syberberg.
