Early Musical Borrowing

Informationen zum Autor Honey Meconi is Associate Professor of Music at Rice University. She resides in Houston. Klappentext First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company. Zusammenfassung Examining the common compositional practice of borrowing or imitation in 15th-and 16th-century music, this text addresses how and why borrowing was used, the significance of borrowing, the techniques of borrowing, and its recognizable features. It provides an overview and sheds light on previously unexplored aspects of early musical borrowing. Inhaltsverzeichnis Series Editor's Foreword Acknowledgments List of Abbreviations Introduction: Borrowing and Early Music Honey Meconi 1. A Cultural Context for the Chanson Mass M. Jennifer Bloxam 2. Ockeghem and Intertextuality: A Composer Interprets Himself Murray Steib 3. The Illusion of Allusion Jenny Hodgson 4. Interpreting and Dating Josquin's Missa Hercules dux ferrariae Christopher Reynolds 5. Habsburg-Burgundian Manuscripts, Borrowed Material, and the Practice of Naming Honey Meconi 6. Aspects of Musical Borrowing in the Polyphonic Missa de feria of the Fifteenth and Sixteenth Centuries Andrew H. Weaver 7. Mid-Sixteenth-Century Chanson Masses: A Kaleidoscopic Process Cathy Ann Elias 8. Melodic Citation in the Sixteenth-Century Motet Michele Fromson Bibliography Contributors Index

Product details

• Authors: Honey Meconi, Meconi Honey
• Assisted by: Honey Meconi (Editor), Meconi Honey (Editor)
• Publisher: Taylor & Francis Ltd.
• Languages: English
• Product format: Hardback
• Released: 01.12.2003
• EAN: 9780815335214
• ISBN: 978-0-8153-3521-4
• No. of pages: 248
• Series: Criticism and Analysis of Early Music; Criticism and Analysis of Early Music
• Subjects: Humanities, art, music > Music > General, dictionaries; MUSIC / Instruction & Study / Theory, MUSIC / Genres & Styles / Classical, Theory of music & musicology, Renaissance style, Art music, orchestral and formal music, Theory of music and musicology, Medieval & Renaissance music (c 1000 to c 1600), Medieval style