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Informationen zum Autor Eunice Rojas, PhD, is assistant professor of Spanish at Lynchburg College. Her publications included contributions to ABC-CLIO's Encyclopedia of Latin Music, "Ricardo Piglia's Schizophrenic Machine: The Madness of Resistance in La ciudad ausente" in Hispanet Journal 6; and "Madness as Redemption in Ulysses' "Circe" Episode" in Papers on Joyce 16. Rojas holds a doctorate in Spanish with an emphasis on cultural studies from the University of Virginia. Lindsay W. Michie, PhD, is assistant professor of history at Lynchburg College and the author of Greenwood's The End of Apartheid in South Africa and Praeger's Portrait of an Appeaser: Robert Hadow, First Secretary in the British Foreign Office, 1931-1939. Michie holds a doctorate in modern history from St. Andrew's University, Scotland. Her current focus is on African and South African history. Klappentext From the gospel music of slavery in the antebellum South to anti-apartheid freedom songs in South Africa, this two-volume work documents how music has fueled resistance and revolutionary movements in the United States and worldwide.
