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Informationen zum Autor Héctor Fernández L'Hoeste is Professor in the Department of Modern and Classical Languages and Director of the Center for Latin American and Latino/a Studies at Georgia State University. He is coeditor, with Deborah Pacini Hernandez and Eric Zolov, of Rockin' Las Américas: The Global Politics of Rock in Latin/o America.Pablo Vila is Professor of Sociology at Temple University. He is coauthor, with Pablo Semán, of Troubling Gender: Youth and Cumbia in Argentina's Music Scene. Klappentext Héctor Fernández L'Hoeste is Professor in the Department of Modern and Classical Languages and Director of the Center for Latin American and Latino/a Studies at Georgia State University. He is coeditor, with Deborah Pacini Hernandez and Eric Zolov, of Rockin' Las Américas: The Global Politics of Rock in Latin/o America.Pablo Vila is Professor of Sociology at Temple University. He is coauthor, with Pablo Semán, of Troubling Gender: Youth and Cumbia in Argentina's Music Scene. Zusammenfassung Cumbia! shows how cumbia! a music that originated in Colombia and was formerly denigrated by its upper classes! has become one of the most popular musics in Latin America and a source of national pride in Colombia. Inhaltsverzeichnis Acknowledgments ix Introduction / Héctor Fernández L'Hoeste and Pablo Vila 1 1. Cumbia Music in Colombia: Origins, Transformations, and Evolution of a Coastal Music Genre / Leonardo D'Amico 29 2. ¿Pa' dónde vas Marioneta? ¿Pa' dónde va la gaita?: La Cumbiamba Eneyé Returns to San Jacinto / Jorge Arévalo Mateus with Martín Vejarano 49 3. Cumbia in Mexico's Northeastern Region / José Juan Olvera Gudiño 87 4. Rigo Tovar, Cumbia, and the Transnational Grupero Boom / Alejandro L. Madrid 105 5. Communicating the Collective Imagination: The Sociospatial World of the Mexican Sonidero in Puebla, New York and New Jersey / Cathy Ragland 119 6. From The World of the Poor to the Beaches of Eisha: , Cumbia, and the Search for a Popular Subject in Peru / Joshua Tucker 138 7. Pandillar in the Jungle: Regionalism and Tecno-cumbia in Amazonian Peru / Kathryn Metz 168 8. Gender Tensions in Cumbia Villera's Lyrics / Pablo Semán and Pablo Vila 188 9. Feliz, feliz / Cristian Alarcón 213 10. El "Tú" Tropical, el "Vos" Villero, and Places in Between: Language, Ideology, Music, and the Spatialization of Difference in Uruguayan Tropical Music / Matthew J. Van Hoose 226 11. On Music and Colombianness: Toward a Critique of the History of Cumbia / Héctor Fernández L'Hoeste 248 References 269 Contributors 285 Index 289...
