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Zusatztext “[ Monkey Mind ] will be recognized in the years to come as the preeminent first-person narrative of the anxiously lived life.” Informationen zum Autor Daniel Smith is a psychotherapist and the author of Muses, Madmen, and Prophets and Monkey Mind. His writing has appeared in The Atlantic, The New York Times Magazine, and The New Yorker, among other publications. He lives in Brooklyn, New York. Klappentext A wildly acclaimed New York Times bestseller, this uplifting, smart, and funny memoir provides hope and understanding to the 40 million Americans who suffer from anxiety disorders. Daniel Smith’s Monkey Mind is the stunning articulation of what it is like to live with anxiety. As he travels through anxiety’s demonic layers, Smith defangs the disorder with great humor and evocatively expresses its self-destructive absurdities and painful internal coherence. Aaron Beck, the most influential doctor in modern psychotherapy, says that “Monkey Mind does for anxiety what William Styron’s Darkness Visible did for depression.” Neurologist and bestselling writer Oliver Sacks says, “I read Monkey Mind with admiration for its bravery and clarity. . . . I broke out into explosive laughter again and again.” Here, finally, comes relief and recognition to all those who want someone to put what they feel, or what their loved ones feel, into words. ""Monkey Mind" is fleet, funny, and productively exhausting."--Ben Greenman "The New York Times Book Review " Leseprobe Monkey Mind 1. genesis The story begins with two women, naked, in a living room in upstate New York. In the living room, the blinds have been drawn. The coffee table, which is stained and littered with ashtrays, empty bottles, and a tall blue bong, has been pushed against the far wall. The couch has been unfurled. It is a cheap couch, with no springs or gears or wooden endoskeleton; its cushions unfold flat onto the floor with a flat slapping sound: thwack. Also on the floor are several clear plastic bags containing dental dams, spermicidal lubricant, and latex gloves. There is everything, it seems to me, but an oxygen tank and a gurney. I am hunched in an awkward squat behind a woman on all fours, a woman who is blond and overweight. Her buttocks are exposed and her knees are spread wide—“presenting,” they call it in most mammalian species. I am sixteen years old. I have never before seen a vagina up close, an in-person vagina. My prior experience has been limited to two-dimensional vaginas, usually with creases and binding staples marring the view. To mark the occasion, I would like to shake the vagina’s hand, talk to it for a while. How do you do, vagina? Would you like some herbal tea? But the vagina is businesslike and gruff. An impatient vagina, a waiting vagina. A real bureaucrat of a vagina. I inch closer on the tips of my toes, knees bent, hands out, fingers splayed—portrait of the writer as a young lecher. The air in the room smells like a combination of a women’s locker room and an off-track betting parlor, all smoke and sweat and scented lotions. My condom, the first I’ve had occasion to wear in anything other than experimental conditions, pinches and dims sensation, so that my penis feels like what I imagine a phantom limb must feel like. The second woman has brown hair done up in curls, round hips, and dark, biscuit-wide nipples. She lies on the couch, waiting. As I proceed, foot by foot, struggling to keep my erection and my balance at the same time, her eyes coax me forward. She is touching herself. Now the target vagina is only a foot away. Now I feel like a military plane, preparing for in-air refueling. I feel, also, like a symbol. This is why I am here, ultimately. This is why, when the invitation was extended (“Do you want to stay? I...
