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Zusatztext "Building on recent work suggesting how a focus on issues of affect! embodied cognition! and consciousness can generate new insights into the history of the novel! while also illuminating the nature and functions of narrative more generally! Self-consciousness in Modern British Fiction sketches out an innovative! well-grounded! and impressively cross-disciplinary approach to the staging of self-consciousness in foundational twentieth-century texts." - David Herman! Ohio State University "Miller brilliantly investigates a defining concern of modernism in this analysis of works by Conrad! Joyce! Lawrence! Woolf! and Lessing. Free of obfuscation! this lucid work introduces the issues confronted by psychologists! philosophers! and novelists in defining and depicting self-consciousness. Miller's unobtrusive citation of theorists fully illuminates his subject." - CHOICE Informationen zum Autor Brook Miller is Associate Professor of English at the University of Minnesota, Morris, USA. His research is on 19th and 20th-century British literature and he is the author of America in the British Imaginary in Turn-of-the-Twentieth-Century Literature (2010). Klappentext Using a cognitive approach to literature, this book uncovers representations of self-consciousness in selected modern British novels, exposing it as complicating character development. Miller provides new readings of works by Conrad, Joyce, and D.H. Lawrence to demonstrate the emergence of a self who feels split from the world. Zusammenfassung Using a cognitive approach to literature! this book uncovers representations of self-consciousness in selected modern British novels! exposing it as complicating character development. Miller provides new readings of works by Conrad! Joyce! and D.H. Lawrence to demonstrate the emergence of a self who feels split from the world. Inhaltsverzeichnis Self-consciousness, Embodiment, and the Narrativising Self Embodiment, Narrativity, and Identification in Under Western Eyes Selfhood and the Sensorium in A Portrait of the Artist as a Young Man Removing the Serpent's Tail from Its Mouth: DH Lawrence's Vision of Embodied Consciousness Narrative Identity, Embodied Consciousness, and The Waves Scriptive Consciousness and Embodied Empathy in The Golden Notebook...
List of contents
Self-consciousness, Embodiment, and the Narrativising Self Embodiment, Narrativity, and Identification in Under Western Eyes Selfhood and the Sensorium in A Portrait of the Artist as a Young Man Removing the Serpent's Tail from Its Mouth: DH Lawrence's Vision of Embodied Consciousness Narrative Identity, Embodied Consciousness, and The Waves Scriptive Consciousness and Embodied Empathy in The Golden Notebook
Report
"Building on recent work suggesting how a focus on issues of affect, embodied cognition, and consciousness can generate new insights into the history of the novel, while also illuminating the nature and functions of narrative more generally, Self-consciousness in Modern British Fiction sketches out an innovative, well-grounded, and impressively cross-disciplinary approach to the staging of self-consciousness in foundational twentieth-century texts." - David Herman, Ohio State University
"Miller brilliantly investigates a defining concern of modernism in this analysis of works by Conrad, Joyce, Lawrence, Woolf, and Lessing. Free of obfuscation, this lucid work introduces the issues confronted by psychologists, philosophers, and novelists in defining and depicting self-consciousness. Miller's unobtrusive citation of theorists fully illuminates his subject." - CHOICE
