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Informationen zum Autor Dolores Tierney is Lecturer in Film Studies at the University of Sussex Klappentext This book is an authoritative account of the career of Emilio Fernández, (1906-1986), one of Mexico's and Latin America's most successful and significant directors. It challenges assumptions about classical Mexican cinema and offers new, detailed textual analyses of Fernández' most significant films (Enamorada, Rio Escondido, María Candelaria). Zusammenfassung This book is an authoritative account of the career of Emilio Fernández, (1906-1986), one of Mexico’s and Latin America’s most successful and significant directors. It challenges assumptions about classical Mexican cinema and offers new, detailed textual analyses of Fernández’ most significant films (Enamorada, Rio Escondido, María Candelaria). -- . Inhaltsverzeichnis Introduction1. 'Poor reception' and the popular in classical Mexican cinema2. 'El Indio' Fernández, Mexico's marginalized golden boy and national auteur 3. Calendar María - hybridity, indigenismo and the discourse of whitening4. Gender, sexuality and the Revolution in Enamorada5. Gender, sexuality and the Revolution in Salón México, Las abandonadas and Víctimas del pecado6. Progress, modernity and Fernández' 'anti-modernist utopia': Río EscondidoEpilogue: Mexican Cinema and Emilio Fernández post the Golden Age - From Golden Boy to 'the man in black'Filmography
