Where Film Meets Philosophy - Godard, Resnais, and Experiments in Cinematic Thinking

Informationen zum Autor Hunter Vaughan is assistant professor of English and cinema studies at Oakland University. His scholarly interests include the moving image! philosophy! and the environment. Klappentext Closely reading the films of Jean-Luc Godard and Alain Resnais! Hunter Vaughan explores the phenomenology of the moving image and its challenge to conventional modes of thought. Zusammenfassung The formal techniques two classic French filmmakers developed to explore cinema’s philosophical potential. Inhaltsverzeichnis List of IllustrationsAcknowledgmentsIntroduction: Where Film Meets Philosophy1. Phenomenology and the Viewing Subject2. Film Connotation and the Signified Subject3. Sound! Image! and the Order of Meaning4. Alain Resnais and the Code of Subjectivity5. Jean-Luc Godard and the Code of ObjectivityConclusion: Where Film and Philosophy May LeadNotesBibliographyIndex

Product details

• Authors: Vaughan, Hunter Vaughan, Hunter (Assistant Professor Vaughan, Vaughan Hunter
• Publisher: Columbia University Press
• Languages: English
• Product format: Hardback
• Released: 05.02.2013
• EAN: 9780231161329
• ISBN: 978-0-231-16132-9
• No. of pages: 264
• Series: Film and Culture Series; Film and Culture Series
• Subjects: Humanities, art, music > Philosophy > General, dictionaries; PHILOSOPHY / General, Philosophy, PHILOSOPHY / Aesthetics, Film, TV & radio, PERFORMING ARTS / Film / History & Criticism, PERFORMING ARTS / Film / General, Film history, theory or criticism, philosophy; aesthetics; film