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Informationen zum Autor Elaine O'Brien is a Professor of Modern & Contemporary Art at California State University, Sacramento. Everlyn Nicodemus is an artist and writer living and working in Edinburgh, UK, and holds a Ph.D. from Middlesex University, London. Melissa Chiu is Museum Director and Vice President, Global Art Programs, Asia Society in New York. Benjamin Genocchio is editor in chief of Art & Auction Magazine , New York. He holds a Ph.D. in art history and is the author and editor of six books. Mary K. Coffey is Associate Professor of Art History at Dartmouth College. Roberto Tejada is Distinguished Chair and Professor of Art History, Southern Methodist University. Klappentext Shedding fresh light on the influence of modern art beyond the West, this timely anthology provides a much-needed corrective to the Eurocentric historiography of modern art, redefining it as a global rather than purely Western phenomenon and offering a more worldly and expanded view than any existing modern art survey. Divided in to three sections focusing on the geographic areas that have often been left out of conversations around modernity, the volume brings together a selection of major essays and historical documents addressing not only painting and sculpture but photography, film and architecture as well. Section introductions, critical essays, and documents provide the relevant contextual material, link each narrative to other art histories in the book, supply essential background information, and guide the reader through the key theoretical positions and debates. Bringing together narratives of modern art that have been scattered in area studies of Asian, African, and Latin American art history, the volume tells a more accurate story of the radical transformation associated with modernity worldwide and opens the subject up to cross-cultural comparison. Modern Art in Africa, Asia and Latin America also addresses often-neglected topics in modern art that are especially relevant to the study of postmodernity, such as modern art in diaspora, colonial art education and institutions, and pre-histories of new media, concepts, and methods. This is a useful tool for all students and scholars of non-Western modernisms which will encourage a deeper engagement with, and understanding of, modern art as a global phenomenon. Zusammenfassung Shedding fresh light on modern art beyond the West! this text introduces readers to artists! art movements! debates and theoretical positions of the modern era that continue to shape contemporary art worldwide. Area histories of modern art are repositioned and interconnected towards a global art historiography. Inhaltsverzeichnis List of Figures viii Acknowledgments xi General Introduction: The Location of Modern Art 1 Elaine O'Brien Part I African Modern Art 15 Introduction: African Modern Art: An Ongoing Project 17 Everlyn Nicodemus 1 Modern African Art 26 Chika Okeke 2 From Country to City: The Development of an Urban Art 39 Steven Sack 3 Nomfanekiso Who Paints at Night: The Art of Gladys Mgudlandlu 45 Elza Miles 4 Negritude, Pan-Africanism, and Postcolonial African Identity: African Portrait Photography 49 Okwui Enwezor and Octavio Zaya 5 A Critical Presence: Drum Magazine in Context 58 Okwui Enwezor 6 Art of the African Diaspora 63 Michael D. Harris 7 Chorale: Man, Society, and Technology: An Experiment in Rural Egypt 73 Hassan Fathy 8 Oral Tradition and the Aesthetics of Black African Cinema 79 Nwachukwu Frank Ukadike 9 On National Culture 87 Frantz Fanon 10 Discourse on Colonialism 89 Aimé Césai...
