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Informationen zum Autor Robert A. Scott is Associate Director Emeritus of the Center for Advanced Study in the Behavioral Sciences at Stanford University! and was previously Professor of Sociology at Princeton University for 18 years. He is the coauthor of Why Sociology Does Not Apply (1979); author of Making of Blind Men (1969); editor of several collections of essays about stigma! deviancy! and social control; and author of numerous articles! book chapters! and essays on related topics. Klappentext "This is easily the best book I have seen on why the great cathedrals were built. The breadth of Scott’s scholarship is astonishing. As well as art history and architecture, he brings to bear his knowledge of subjects as wide apart as engineering, the sociology of religion, and the medieval economy. Only a handful of books truly throw light on the mystery of the cathedrals, and this is one of them."—Ken Follett, author of Pillars of the Earth "Written in a lucid style and illustrated by dozens of sketches and photographs, this interdisciplinary survey is the best introduction to its subject now in print."—Gene Brucker, author of Florence: The Golden Age, 1138–1737 "Scott has given us a book of wonderful breadth and erudition with a refreshingly light touch. He describes vividly the social, political, and religious background to the great flowering of the Gothic cathedrals of Europe in the thirteenth and fourteenth centuries, and the strange mixture of motives that drove this astonishing building program. He is equally interested in the hard practical mechanics of hewing timber, erecting scaffolding, quarrying stone, transporting and hauling these materials as he is in the religious and liturgical symbolisms and conceptual schemes of the architects and their royal paymasters. Gothic cathedrals are astounding monuments to the aspirations of the human spirit reaching out to the divine, and this is a splendid introduction to the medieval worlds that produced them, written by an enthusiastic guide who really knows his subject and loves it."—Hugh Dickinson, Dean Emeritus of Salisbury Cathedral "Gothic architecture is notoriously difficult to represent verbally, but in Scott’s book the joy so many people find in discovering these breathtakingly beautiful monuments is palpable."—Stephen Murray, author of Notre Dame, Cathedral of Amiens: The Power of Change in Gothic "In this splendid book Scott writes precisely, clearly, and with a love for both words and his readers. Those who read these pages will come away enlightened, inspired, and with a more profound grasp of our civilization."—Neil J. Smelser, University Professor of Sociology, Emeritus, University of California, Berkeley Zusammenfassung The great Gothic cathedrals of Europe are among the most astonishing achievements of Western culture. This title explores why medieval people built Gothic cathedrals, how they built them, what conception of the divine lay behind their creation, and how religious and secular leaders used cathedrals for social and political purposes. Inhaltsverzeichnis Preface to the 2011 Edition Acknowledgments Introduction: A Personal Journey Part I: A Grand Undertaking 1 What Is the Gothic Enterprise? 2 How Were the Cathedrals Built? Part II: History 3 Kings, Feudal Lords, and Great Monasteries 4 The Age of Cathedral-Building 5 The Initial Vision 6 “The Cathedral Crusade” Part III: The Gothic Look 7 What Is the Gothic Look? 8 An Image of Heaven 9 A Pragmatic View of Cathedral-Building Part IV: The Religious Experience 10 Sacred Force and Sacred Space 11 Imagining the Cathedral 12 Honoring the Dead Part V: The Gothic Community 13 Medieval Living Condi...
