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Klappentext Paperback versie, hardback verkrijgbaar onder het ISBN 9789089642134 Het in de jaren zeventig opkomende debat binnen de filmwetenschappen over stilstaand ('still') tegenover bewegend beeld ('moving') werd gevoed door de 'apparatus theory' en het idee van verstilde beweging door belichting. Filmische beweging was een illusie, luidde het axioma; bewe Inhaltsverzeichnis Between Stillness and Motion - 2[-]Contents - 6[-]Acknowledgements - 8[-]Introduction - 10[-] The Still/Moving Field: An Introduction - 12[-]Philosophies of Motion - 26[-] The Play between Still and Moving Images: Nineteenth-Century -Philosophical Toys and Their Discourse - 28[-] Digital Technics Beyond the -Last Machine : Thinking Digital Media with Hollis Frampton - 46[-]The Use of Freeze and Slide Motion - 74[-] The Figure of Visual Stand still in R.W. Fassbinder's Films - 76[-] The Temporalities of the Narrative Slide Motion Film - 86[-]The Cinematic Turn in the Arts - 108[-] Stop/Motion - 110[-] After -Photography's Expanded Field - 124[-] On On Otto: Moving Images and the New Collectivity - 138[-]The Algorithmic Turn - 158[-] Mutable Temporality In and Beyond the Music Video: An Aesthetic of Post-Production - 160[-] Algorithmic Culture: Beyond the Photo/Film Divide - 188[-]Archives in Between - 206[-] -The Archives of the Planet and Montage: The Movement of the Crowd and -the Rhythm of Life - 208[-]General Bibliography - 226[-]Contributors - 236
