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Informationen zum Autor Andrew Dawson teaches film and film industry history in the School of Humanities and Social Sciences at the University of Greenwich Sean Holmes is Subject Leader for Screen Media at Brunel University This multi-disciplinary collection of essays provides a thorough analysis of working life in the film and television industries. International and interdisciplinary in scope, it is the first truly global introduction to the production of film and television. Zusammenfassung This multi-disciplinary collection of essays provides a thorough analysis of working life in the film and television industries. International and interdisciplinary in scope, it is the first truly global introduction to the production of film and television. Inhaltsverzeichnis INTRODUCTIONAndrew Dawson and Sean Holmes, "Working in Film and Television"PART ONE: SYSTEMS OF PRODUCTION1. Andrew Dawson, "Labouring in Hollywood's Motion Picture Industry and the Promise of 'Flexible Specialisation'"2. Dorota Ostrowska, "Alternative Models of Film Production: Film Units in Poland after World War II."3. Olof Hedling, "New Creative Cities in Scandinavia?"PART TWO: MANOEUVRABLE SPACES4. Sean Holmes, "No Room for Manoeuvre: Star Images and the Regulations of Actors' Labour in Silent-Era Hollywood."5. Richard Paterson, "Freelance Life in UK Television" 6. Ikechukwu Obiaya, "Behind the Scenes: The Hidden Face of Nollywood."PART THREE: PATRONAGE AND CLIENTISM7. Katrien Pype, "Fathers, Patrons and Clients: Social and Economic Aspects in the Production of Television Drama in Post-Mobutu Kinshasa."8. Alison Smith, "Les Chefs-Operatrices: Women Behind the Camera in France."PART FOUR: CREATIVE AGENCY9. Linda Marchant, "Cornel Lucas: Stills Photography and Production Culture in 1950s British Film."10. Clare Wilkinson-Weber, "Making Faces: Competition and Change in the Production of Bollywood Film Star Looks."CONCLUSIONBIBLIOGRAPHYINDEX...
List of contents
INTRODUCTION
Andrew Dawson and Sean Holmes, "Working in Film and Television"
PART ONE: SYSTEMS OF PRODUCTION
1. Andrew Dawson, "Labouring in Hollywood's Motion Picture Industry and the Promise of 'Flexible Specialisation'"
2. Dorota Ostrowska, "Alternative Models of Film Production: Film Units in Poland after World War II."
3. Olof Hedling, "New Creative Cities in Scandinavia?"
PART TWO: MANOEUVRABLE SPACES
4. Sean Holmes, "No Room for Manoeuvre: Star Images and the Regulations of Actors' Labour in Silent-Era Hollywood."
5. Richard Paterson, "Freelance Life in UK Television"
6. Ikechukwu Obiaya, "Behind the Scenes: The Hidden Face of Nollywood."
PART THREE: PATRONAGE AND CLIENTISM
7. Katrien Pype, "Fathers, Patrons and Clients: Social and Economic Aspects in the Production of Television Drama in Post-Mobutu Kinshasa."
8. Alison Smith, "Les Chefs-Operatrices: Women Behind the Camera in France."
PART FOUR: CREATIVE AGENCY
9. Linda Marchant, "Cornel Lucas: Stills Photography and Production Culture in 1950s British Film."
10. Clare Wilkinson-Weber, "Making Faces: Competition and Change in the Production of Bollywood Film Star Looks."
CONCLUSION
BIBLIOGRAPHY
INDEX
About the author
Andrew Dawson is Film Studies programme leader at the University of Greenwich. He teaches courses on Film and American Society and Working for Hollywood.
Sean Holmes is Subject Leader for Screen Media and a lecturer in Film and Television Studies at Brunel University. He has taught in the U.K. and the U.S. and his current research looks at the politics of cultural production.
