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At least one of the two works inspired by Nikolaus Lenau's poem on the familiar Faust legend may have been originally composed for piano and later orchestrated . The first, "Der nächliche Zug" is a march-like work not often performed while the second, entitled "Der Tanz in der Dorfschenke" is better known as the "Mephisto Waltz No.1". This popular work was first heard for orchestra on March 3, 1861 with the composer conducting the Weimar Hofkapelle. The score reproduced here was originally issued by Breitkopf & Härtel of Leipzig in 1913 as part of the tenth volume of "Franz Liszt: Musikalische Werke", edited principally by Berthold Kellermann.
In contrast so many of the on-demand scores now available this one comes with all the pages with each image thoroughly checked to make sure it is readable, then beautifully printed on quality stock with an attractive glossy cover. Also included is an informative introduction by Liszt scholar Soren Afshar (Funper), a major contributor to the vast collection of Liszt pieces on IMSLP. The large conductor's score and orchestral parts matching this critical edition are also available from Serenissima Music.
About the author
Franz Liszt, born on October 22, 1811, and passing away on July 31, 1886, was a notable figure in Hungarian music history. He was recognized as a composer, virtuoso pianist, conductor, and educator throughout the Romantic era. Regarded as a highly productive and prominent composer of his time, his extensive portfolio of compositions spanning over six decades has solidified his status as one of the foremost figures in the field. Furthermore, he continues to enjoy widespread acclaim and popularity as one of the most often performed composers in contemporary concert piano repertoire. Franz Liszt initially garnered recognition in the early 19th century due to his exceptional virtuosity as a pianist. He is widely recognized as one of the most exceptional pianists in history, having embarked on a series of European tours throughout the 1830s and 1840s, frequently engaging in benefit performances. During this period, Franz Liszt acquired renowned for his commanding musical interpretations, alongside his notable physical allure. Liszt's ascent to fame, commonly referred to as "Lisztomania," was a notable departure from the level of recognition and public appeal attained by his virtuoso predecessors. Unlike earlier musicians who primarily catered to the upper class, Liszt managed to captivate a broader audience.
