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Klappentext Renowned scholars and performers present a wide range of different perspectives on Mozart's chamber music with keyboard. Zusammenfassung Internationally renowned scholars draw upon the latest Mozart research to explore the astounding creative achievements in! and the performance and reception of! Mozart's sonatas with violin! keyboard trios and quartets! and quintet with winds. This is the first book in English devoted to Mozart's much-loved chamber music with keyboard. Inhaltsverzeichnis 1. The chamber music with keyboard in Mozart biography Martin Harlow; 2. Mozart's early chamber music with keyboard: traditions of performance, composition, and commodification Nicholas Baragwanath; 3. Opus 1, take 2: Mozart's Mannheim and Paris sonatas for keyboard and violin Peter Walls; 4. Mozart's 'Viennese' sonatas for keyboard and violin according to Ferdinand David: a survey of editorial and violin performance practices Robin Stowell; 5. Mozart's keyboard trios: styles, textures and contexts Katalin Komlós; 6. A winning strike: the miracle of Mozart's 'Kegelstatt' Colin Lawson; 7. An experiment in variation: the finale of Mozart's Piano Trio in G, K.496 Roman Ivanovitch; 8. On instrumental sounds, roles, genres and performances: Mozart's Piano Quartets, K.478 and K.493 Simon P. Keefe; 9. Enlarging the musical discourse: Mozart's Piano Quartet in G Minor, K.478 Robert S. Hatten; 10. Action, reaction and interaction, and the play of style and genre in Mozart's Piano and Wind Quintet, K.452 Martin Harlow; 11. Inhabiting Mozart's chamber music: the fortepianist's tale John Irving; 12. Reading between the lines: the notation and performance of Mozart's chamber music with keyboard Clive Brown; 13. Private and public forms of art: Charles Rosen on Mozart's chamber music with keyboard Charles Rosen in conversation.
