Read more
Informationen zum Autor Eva Woods PeirÓ is associate professor of Hispanic studies and director of the Media Studies Program at Vassar College. Klappentext Little has been written about the Spanish film musical, a genre usually associated with the early Franco dictatorship and dismissed by critics as reactionary, escapist fare. A timely and valuable corrective, White Gypsies shows how the Spanish folkloric musical films of the 1940s and '50s are inextricably tied to anxious concerns about race-especially, but not only, Gypsiness.Focusing on the processes of identity formation in twentieth-century Spain-with multifaceted readings of the cinematic construction of class, gender, and sexuality-Eva Woods Peiró explores how these popular films allowed audiences to negotiate and imaginatively, at times problematically, resolve complex social contradictions. The intricate interweaving of race and modernity is particularly evident in her scrutiny of a striking popular phenomenon: how the musicals progressively whitened their stars, even as their story lines became increasingly Andalusianized and Gypsified.White Gypsies reveals how these imaginary individuals constituted a veritable cultural barometer of how racial thinking was projected and understood across a broad swath of popular Spanish cinema. Zusammenfassung Reveals how Spanish film musicals, long dismissed as unworthy of critical scrutiny, illuminate Spain’s relationship to modernity Inhaltsverzeichnis ContentsPrefaceIntroduction: Modernity, Race, and Visibility1. Time, Racial Otherness, and Digressions in Silent Films of the 1920s2. Female Spectacle in the Display Case of the Roaring Twenties 3. Racing for Modernity: From Black Jazz to White Gypsy Folklore4. The Gypsy “Problem”: Law and Spatial Assimilation 5. The Spanish Solution: The FolklÓrica and the FÜhrer6. Recycling FolklÓricas: A Queer Spain AcknowledgmentsNotesBibliographyFilmographyIndex
