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Informationen zum Autor Yolanda Plumley is Professor of History at University of Exeter. Her background is in musicology, with a strongly interdisciplinary approach. Her study of the late medieval musical repertory is allied with an exploration of the literary and cultural production of the period and its historical context. Research to date has focussed particularly on French songs and lyrics of the fourteenth and early fifteenth centuries and on the culture that produced them. Giuliano di Bacco is Director of the Center for the History of Music Theory and Literature at Indiana University. A musicologist and medievalist, Giuliano Di Bacco works on polyphonic repertories and treatises of music theory of the thirteenth and fourteenth centuries in Italy and France. His research deals with manuscripts and textual criticism, archival studies, and biographies, especially focussing on the musical chapels of the popes of the Great Schism, and the Ars nova in Italy and France. Klappentext Essays in this volume cover topics relevant to medieval Europe including sacred and secular music, historiography, liturgical and biblical studies, sermons and preaching, the architecture of funerary chapels and the role of tombs in literature. Each essay explores the themes using works from the late Middle Ages or early Renaissance. Zusammenfassung Essays in this volume cover topics relevant to medieval Europe including sacred and secular music! historiography! liturgical and biblical studies! sermons and preaching! the architecture of funerary chapels and the role of tombs in literature. Each essay explores the themes using works from the late Middle Ages or early Renaissance. Inhaltsverzeichnis 1.GIULIANO DI BACCO and YOLANDA PLUMLEY Preface 2.ARDIS BUTTERFIELD Introduction 3.R. BARTON PALMER The Rhetoric of Allusion in Machaut's Fonteinne amoureuse 4.JENNY BENHAM Constructing Memories of Peacemaking 5.LINA BOLZONI The Impassioned Memory in Dante's Divina commedia 6.ANNA MARIA BUSSE BERGER Quotation in Medieval Polyphony 7.EMMA CAYLEY Citation as Transvestism in Fifteenth Century French Poetry 8.HELEN DEEMING Music! Memory and Mobility: Citation and Contrafactum in Thirteenth-Century Sequence Repertories 9.SONJA DRIMMER Allusive Images: Intervisuality in Late Middle English Manuscripts? 10.NAOMI HOWELL Sensory Sepulchres: Citations of Christ's Tomb in Twelfth-Century Romance 11.MARGUERITE KEANE Memory and Royal Identity in the Chapel of Blanche of Navarre at Saint Denis 12.TAMSYN ROSE-STEEL "An Unjust and Treacherous Word": the Use of Citational Practices and Language in a Fauvel Motet 13.SJOERD LEVELT Citation and Misappropriation in Geoffrey of Monmouth's Historia regum Britannie and the Latin Galfridian Tradition 14.JENNIFER SALTZSTEIN Refrain Citation and Vernacular Authority in the Music of Adam de la Halle ...
