Fr. 333.70

Cambridge History of Musical Performance - The Cambridge History of Music

English · Hardback

Shipping usually within 2 to 3 weeks (title will be printed to order)

Description

Read more

Klappentext Leading musicians, historians and scholars come together to present an innovative and integrated history of music through performers and performance. Zusammenfassung Leading musicians! historians and scholars examine the history of music from the earliest times to the present through performers and performance. Focusing on the musicians responsible for bringing music to life! rather than the composers! this volume provides a fresh! integrated and innovative perspective on performance history and practice. Inhaltsverzeichnis Preface Colin Lawson and Robin Stowell; Part I. Performance Through History: 1. Performance today Nicholas Kenyon; 2. Political process, social structure, and musical performance in Europe since 1450 William Weber; 3. The evidence Robin Stowell; 4. The performer and the composer Corey Jamason; 5. The teaching of performance Natasha Loges and Colin Lawson; 6. Music and musical performance: histories in disjunction? David Wright; Part II. Pre-Renaissance Performance: 7. The ancient world Eleonora Rocconi; 8. Performance before c.1430: an overview John Haines; 9. Vocal performance before c.1430 Jeremy Summerly; 10. Instrumental performance before c.1430 Stefano Mengozzi; 11. Case study: Guillaume de Machaut: ballade 34, 'Quant Theseus/Ne quier veoir' John Haines; Part III. Performance in the Renaissance (c.1430-1600): 12. Performance in the Renaissance: an overview Jon Banks; 13. Vocal performance in the Renaissance Timothy McGee; 14. Instrumental performance in the Renaissance Keith Polk; 15. Case study: Seville cathedral's music in performance 1549-1599 Owen Rees; Part IV. Performance in the Seventeenth Century: 16. Performance in the seventeenth century: an overview Tim Carter; 17. Vocal performance in the seventeenth century Richard Wistreich; 18. Instrumental performance in the seventeenth century David Ponsford; 19. Case study: Monteverdi's Mass and Vespers (1610) Jonathan Wainwright; Part V. Performance in the 'Long Eighteenth Century': 20. Performance in the 'long eighteenth century': an overview Simon McVeigh; 21. Vocal performance in 'the long eighteenth century' John Potter; 22. Instrumental performance in 'the long eighteenth century' Peter Walls; 23. Case study: Mozart: Symphonies in E flat major K543, G minor K550 and C major K551 Colin Lawson; Part VI. Performance in the Nineteenth Century: 24. Performance in the nineteenth century: an overview Michael Musgrave; 25. Vocal performance in the nineteenth century Will Crutchfield; 26. Instrumental performance in the nineteenth century Ian Pace; 27. Case study: Richard Wagner: Tristan und Isolde Robin Stowell; Part VII. The Twentieth Century and Beyond: 28. Musical performance in the twentieth century: an overview Stephen Cottrell; 29. Vocal performance in the twentieth century and beyond Jane Manning and Anthony Payne; 30. Instrumental performance in the twentieth century and beyond Roger Heaton; 31. Case study: Karlheinz Stockhausen: Gruppen für drei Orchester William Mival; Part VIII: 32. The future? Colin Lawson and Robin Stowell; Bibliography....

Product details

Authors Colin Lawson, Colin Stowell Lawson
Assisted by Colin Lawson (Editor), Robin Stowell (Editor)
Publisher Cambridge University Press ELT
 
Languages English
Product format Hardback
Released 16.02.2012
 
EAN 9780521896115
ISBN 978-0-521-89611-5
No. of pages 932
Series The Cambridge History of Music
The Cambridge History of Music
Subject Humanities, art, music > Music > Music theory

Customer reviews

No reviews have been written for this item yet. Write the first review and be helpful to other users when they decide on a purchase.

Write a review

Thumbs up or thumbs down? Write your own review.

For messages to CeDe.ch please use the contact form.

The input fields marked * are obligatory

By submitting this form you agree to our data privacy statement.