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Informationen zum Autor DEBORAH L. MADSEN Klappentext Allegory in America surveys the history of American allegorical writing from the Puritans through the period of American romanticism to postmodernism. In a series of theoretical chapters the cultural function of allegory is discussed in relation to the mythology of American exceptionalism. Each theoretical chapter is followed by a chapter that analyzes a specific text or group of texts. Allegorical indeterminacy is seen to produce a literary tradition that both represents and subverts the ideals of American orthodoxy. Zusammenfassung Allegory in America surveys the history of American allegorical writing from the Puritans through the period of American romanticism to postmodernism. In a series of theoretical chapters the cultural function of allegory is discussed in relation to the mythology of American exceptionalism. Inhaltsverzeichnis General Editor's Foreword - Preface - Acknowledgements - Introduction - Allegory in the Old World - Allegory in Colonial New England - Captivity Narratives: Mary Rowlandson, Harriet Jacobs and the Rhetoric of Exceptionalism - Allegory and American Romanticism - Nathaniel Hawthorne's Rappaccini's Daughter and the Sovereignty of the Self - The Fate of Allegory in the Twentieth Century - John Barth's Giles Goat-Boy and Post-Romantic Allegory - Conclusion - Bibliography - Index
List of contents
General Editor's Foreword - Preface - Acknowledgements - Introduction - Allegory in the Old World - Allegory in Colonial New England - Captivity Narratives: Mary Rowlandson, Harriet Jacobs and the Rhetoric of Exceptionalism - Allegory and American Romanticism - Nathaniel Hawthorne's Rappaccini's Daughter and the Sovereignty of the Self - The Fate of Allegory in the Twentieth Century - John Barth's Giles Goat-Boy and Post-Romantic Allegory - Conclusion - Bibliography - Index
