Shakespeare

Zusatztext "In one fell swoop Herder heralded the approach of Romanticism and the arrival of a distinctly modern from of aesthetic appreciation. Shakespeare was truly a 'milestone in the development of liberary theory,' and this new volume makes this important work available to a broad audience in a compact and affordable package." Informationen zum Autor Gregory Moore is lecturer in German at the University of St. Andrews. He is the editor and translator of Herder's Selected Writings on Aesthetics (Princeton) and the author of Nietzsche! Biology and Metaphor . Klappentext "Herder's essay on Shakespeare is not an antique. It has the same vitalizing power as the grand sequence of English critical Shakespeareans: Dr. Johnson! Coleridge! Hazlitt! Bradley! Empson! Kermode! and Nuttall. Gregory Moore's translation and introduction alike are admirably eloquent and illuminating."--Harold Bloom Zusammenfassung Without Johann Gottfried Herder (1744-1803), we simply would not understand Shakespeare in the way we do. In fact, much literature and art besides Shakespeare would neither look the same nor be the same without the influence of Herder's "Shakespeare" (1773). This book presents a translation of "Shakespeare". Inhaltsverzeichnis Introduction GREGORY MOORE Shakespeare JOHANN GOTTFRIED HERDER Editor's Notes Index

Produktdetails

• Autoren: Johann Gottfried Herder, Gregory Moore, Johann Herder
• Mitarbeit: Gregory Moore (Herausgeber), Gregory Moore (Übersetzung), Gregory Moore (Herausgeber und Übersetzung), Gregory Martin Moore (Herausgeber und Übersetzung)
• Verlag: Princeton University Press
• Inhalt: Buch
• Produktform: Taschenbuch
• Erscheinungsdatum: 15.04.2008
• Thema: Sachbuch > Philosophie, Religion > Biographien, Autobiographien; Geisteswissenschaften, Kunst, Musik > Sprach- und Literaturwissenschaft > Englische Sprachwissenschaft / Literaturwissenscha
• EAN: 9780691135359
• ISBN: 978-0-691-13535-9
• Anzahl Seiten: 128
• Abmessung (Verpackung): 10.7 x 16 x 1.2 cm
• Themen: Essay, Sturm und Drang, Euripides, Civil Society, Literature, Metaphor, English, Poetry, William Shakespeare, Herder, LITERARY CRITICISM / Drama, cultural identity, love triangle, Writing, Apostrophe, LITERARY CRITICISM / Modern / General, Great Power, Sophocles, Astrology, School, Public Sphere, simplicity, Historiography, Johann Georg Hamann, Fine Art, Christoph Martin Wieland, Tragedy, French Literature, Banquo, Literary theory, Florilegium, Literary studies: c 1600 to c 1800, Greek tragedy, Shakespeare Studies & Criticism, Literary studies: plays and playwrights, Neoclassicism, Relating to Shakespeare / Shakespearean, Laertes, Parody, Author, Precedent, pity, Aeschylus, courtier, corset, wreath, individualism, chivalry, English drama, courtship, necromancy, decorum, Preface, Teutons, Treatise, Superficiality, Misery (novel), Regicide, Shakespeare's plays, francophile, Foolishness, Convulsion, Dithyramb, Artifice, Ruritania, Standpoint (magazine), Despair (novel), Credulity, Unless, Laertes (Hamlet), Dark Future, In the Abyss, Macduff (Macbeth), Lineament, belles-lettres, Evening (magazine), Roderigo