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Informationen zum Autor Alan Brown is a former member of the Scottish National Orchestra. He now works as a freelance musician, with several leading UK orchestras, and as a consultant in music and IT. Alan has had several compositions published, developed a set of music theory CD-Roms, co-written a series of Bass Guitar Examination Handbooks and worked on over 100 further titles. Barry Cooper lectured in music at the University of Aberdeen from 1974 to 1990, before moving to the University of Manchester, and is known mainly as a musicologist. He is general editor and co-author of The Beethoven Compendium (1991); his other books include Beethoven and the Creative Process and Beethoven’s Folksong Settings, as well as studies of English Baroque keyboard music and of music theory in Britain in the seventeenth and eighteenth centuries. Klappentext Designed for easy reading and helpfully grouped by level of difficulty - from Beginner or Intermediate to Advanced (covering ABRSM Grades 5 to 8 and above) - each book contains pieces to delight lovers of the classical masterpieces, in this case including everything from 'Für Elise' to 'Pathetique'. Zusammenfassung Designed for easy reading and helpfully grouped by level of difficulty – from Beginner or Intermediate to Advanced (covering ABRSM Grades 5 to 8 and above) – each book contains pieces to delight lovers of the classical masterpieces, in this case including everything from 'Für Elise' to 'Pathetique'.
Über den Autor / die Autorin
Alan Brown is a former member of the Scottish National Orchestra. He now works as a freelance musician, with several leading UK orchestras, and as a consultant in music and IT. Alan has had several compositions published, developed a set of music theory CD-Roms, co-written a series of Bass Guitar Examination Handbooks and worked on over 100 further titles.Barry Cooper lectured in music at the University of Aberdeen from 1974 to 1990, before moving to the University of Manchester, and is known mainly as a musicologist. He is general editor and co-author of The Beethoven Compendium (1991); his other books include Beethoven and the Creative Process and Beethoven’s Folksong Settings, as well as studies of English Baroque keyboard music and of music theory in Britain in the seventeenth and eighteenth centuries.
