Mobility and Identity in Us Genre Painting Painting At the Threshold

This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in United States genre paintings during the second half of the long nineteenth century (ca. 1860-1910).

Über den Autor / die Autorin

Lacey Baradel is a historian of the art of the United States. She has taught at the University of Washington, Seattle, and at Vassar College.

Zusammenfassung

This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in United States genre paintings during the second half of the long nineteenth century (ca. 1860-1910).

Produktdetails

• Autoren: Lacey Baradel
• Verlag: Taylor & Francis Ltd.
• Inhalt: Buch
• Produktform: Taschenbuch
• Erscheinungsdatum: 02.09.2024
• Thema: Geisteswissenschaften, Kunst, Musik > Kunst > Kunstgeschichte; Sozialwissenschaften, Recht,Wirtschaft > Sozialwissenschaften allgemein
• EAN: 9780367654764
• ISBN: 978-0-367-65476-4
• Anzahl Seiten: 164
• Serie: Routledge Research in Art History
• Themen: USA, Rembrandt van Rijn, ART / Techniques / General, COMPUTERS / Computer Science, ART / History / General, ART / American / General, CRAFTS & HOBBIES / Painting, computer science, History of art / art & design styles, ars, History of Art, United States of America, USA, Painting, drawing and art manuals, Painting & Art Manuals, Saint Louis Art Museum, american art history, dead beat, Crossing Brooklyn Ferry, social mobility studies, genre scenes, nineteenth century painting, Ashcan School, genre painting and identity politics, visual representation of displacement, urban transport art, cultural geography analysis, Guide Map, Ashcan Artists, true American, Terra Foundation, Hansom cab, Sailor’s Return, Transportation Building, Johnson’s Painting, Seventeenth Century Dutch Genre, Ferry Passenger, Ferry Slip, Sloan’s Work, Home Ties, negro life