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Informationen zum Autor Rachel Eliza Griffiths is a poet, visual artist, and novelist. She is a recipient of the Hurston/Wright Foundation Legacy Award and the Paterson Poetry Prize and was a finalist for a NAACP Image Award. Griffiths is also a recipient of fellowships from many organizations, including Cave Canem Foundation, Kimbilio, the Provincetown Fine Arts Work Center, the Robert Rauschenberg Foundation, and Yaddo. Her work has been published in The New York Times, The New Yorker, Tin House, and other publications. Promise is her first novel. Klappentext "New England, 1957. The Kindred sisters--Ezra and Cinthy--grew up with an abundance of love. Love from their parents, who let them believe that the stories they tell on stars can come true. Love from their neighbors, the Junketts, the only other Black family in town, whose home is filled with spice-rubbed ribs and ground-shaking hugs. And love for their adopted hometown of Salt Point, a beautiful village perched high up on coastal bluffs. But as the girls hit adolescence, their maturing bodies and minds start to change the way their white neighbors see them"-- Leseprobe 1 The day before our first day of school always signaled the end of the time Ezra and I loved most. Not time like the clocks that ticked and rang their alarms every morning; we knew that time didn’t really begin or end. What we meant by time was happiness, a careless joy that sprawled its warm, sun-stained arms through our days and dreams for eight glorious weeks until our teachers arrived back in our lives, and our parents remembered their rules about shoes, bathing, vocabulary quizzes, and home training. More than anything, we prayed that the air would remain mild for as long as possible, mid-October even, so that we could retain some of our summer independence, free to roam the land we knew and loved. We weren’t yet grown, but even the adults could pinpoint when time would tell us we would no longer be young. We mourned summertime’s ending and made predictions about autumn and ourselves. Mostly we repeated all the different ways that summer was more honest than the rest of the year. It was the only time we could wear shorts and cropped tops with little comment from our mother. Ezra and I were allowed to walk nearly anywhere we wanted—in the other seasons, we needed permission even to walk to the village docks. And the eating! How we could eat! Mama loosened her apron strings about salt and sugar. Each day, it felt like we were eating from the menu of our dreams—fresh corn, ice cream, sliced tomatoes with coarse salt and pepper, chilled lobster, root beer floats, watermelon, oysters, crab and shrimp salads, fried chicken, homemade lemon or raspberry sorbet, grilled peaches, potato salad, and red popsicles. In the summer, the wildflowers returned, even in the village square. Some dead local official once believed the square, arranged around a small pond with a handful of benches, was a civil idea. Indeed, it would have been charming except there was the sea. Steps away from the square, down the narrow central passage of our village, the main street opened into a slender, shining pier where everything happened. Zusammenfassung Two Black sisters growing up in small-town New England fight to protect their home, their bodies, and their dreams as the Civil Rights Movement sweeps the nation in Promise, a “magical, magnificent novel” (Marlon James) from “a startlingly fresh voice” (Jacqueline Woodson). A KIRKUS REVIEWS AND CHICAGO PUBLIC LIBRARY BEST BOOK OF THE YEAR The people of Salt Point could indeed be fearful about the world beyond themselves; most of them would be born and die without ever having gone more than twenty or thirty miles from houses that were crammed with generations of their families. . . . But something was shifting at the end of summer 1957...
