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The Performance Practice of Electroacoustic Music - The Studio di Fonologia years

Englisch · Taschenbuch

Beschreibung

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This book is dedicated to the topic of performance practice of electroacoustic music, focusing mainly on the production of RAI's Studio di Fonologia in Milan between the 1950s and 1970s. It is the result of an in-depth dialogue between musicology and musical practice, presenting musicological and practice-based contributions, some dealing with specific problems of performance practice, in particular the analysis and interpretation of the aesthetic prerequisites and production conditions of the repertoire from a musicological perspective, others focusing on specific works and on their realisation from a performer's perspective. Overall, this publication is intended as a contribution to the performance culture of the repertoire.

Inhaltsverzeichnis

Germán Toro Pérez: Historically informed performance in electroacoustic music? The Studio di Fonologia years as a case study - Ulrich Mosch: Some problems of the present-day realisation of historical electronic pieces - Angela Ida De Benedictis: The beginnings of the Studio di Fonologia Musicale and Bruno Maderna's Notturno - Veniero Rizzardi: «There's always just the first page». On the ambivalent relation between sound and notation in some early electroacoustic music, and the problems of modern editions - Pascal Decroupet: A question of «versions»!? Three case studies about «performing» tape compositions of the 1950s (taken from the European repertoire) - Kilian Schwoon: The revision of Henri Pousseur's Rimes at Tempo Reale - Germán Toro Pérez: Auctorial Tradition and Contemporary Practice: Performing Musica su due dimensioni by Bruno Maderna - Alvise Vidolin: Sound direction of 1950s and 1960s tape pieces from the Studio di Fonologia - Pascal Decroupet: (Transcription and text-edition) Henri Pousseur. Three source texts concerning Rimes pour différentes sources sonores

Über den Autor / die Autorin










Germán Toro Pérez (1964) studied composition and electroacoustic music. His catalogue includes instrumental, electroacoustic and mixed compositions, music theater and works in collaboration with graphic design, painting and experimental video. Since 2007 he is director of the Institute for Computer Music and Sound Technology and professor for composition at the Zurich University of the Arts.

Produktdetails

Mitarbeit Lucas Benett (Herausgeber), Germán Toro-Pérez (Herausgeber)
Verlag Peter Lang Ltd. International Academic Publishers
 
Sprache Englisch
Produktform Taschenbuch
Erschienen 30.09.2018
 
EAN 9783034331180
ISBN 978-3-0-3433118-0
Seiten 156
Abmessung 165 mm x 240 mm x 9 mm
Gewicht 378 g
Illustration 38 Abb.
Serien Zürcher Musikstudien
Zürcher Musikstudien
Thema Geisteswissenschaften, Kunst, Musik > Musik

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