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This book traces a recovery of iconographic religious experience and theology in the nineteenth century. In contrast to a logocentric religious focus, which privileges texts and their analysis, an iconographic focus emphasizes the visual and narrative attributes of religion. The introduction sets the stage by discussing the profound disquietude in the wake of Britain's Religious Census of 1851, along with the various responses to a perceived decline in religiosity. Two subsequent chapters deal with the resurgence of iconographic religion from the perspective of theology proper, arguing that contemporary theologians, such as those represented by the Yale School of Divinity, held to a more holistic as opposed to a fragmentary approach towards scripture. In doing so they came to center the scriptural stories on the events surrounding Christ's passion. The remaining chapters trace the recovery of iconographic religion through American, Russian, and British culture throughout the nineteenth century. Ultimately, this book argues for a revision on the standard 'read' regarding these artists and writers which holds that they were predominantly secular in orientation.
Über den Autor / die Autorin
Stewart Dippel holds a Ph.D. from Ohio State University. For the last twenty-five years he has taught history and political science at the University of the Ozarks in Clarksville, Arkansas. His published dissertation and three subsequent books are on seventeenth-century religious history.
The Rev. Jeffrey Champlin is an ordained priest of the Episcopal Church. He has served congregations in Connecticut, Kansas, and Arkansas. He is a graduate of Wesleyan University (1978) and Yale Divinity School (1983). For the last four years, he has served as an instructor in the Iona Project, a church-wide program to provide through Dioceses academic and pastoral formation for locally-prepared candidates for ordination.
Zusammenfassung
This book traces a recovery of iconographic religious experience and theology in the nineteenth century. In contrast to a logocentric religious focus, which privileges texts and their analysis, an iconographic focus emphasizes the visual and narrative attributes of religion.
