Fr. 136.00

Antonio Pietrangeli, the Director of Women - Feminism and Film Theory in Postwar Italian Cinema

English · Hardback

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Description

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This book re-examines the films of Antonio Pietrangeli, one of the founding fathers of neorealism in the postwar period in Italy, from a feminist perspective. Of the ten full-length films completed by Antonio Pietrangeli, eight featured a female protagonist. This attention to the female subject is noteworthy today, much less in the 1950s and 1960s.

List of contents










List of Illustrations; Acknowledgments; Vita; Introduction: Antonio Pietrangeli, A Brief History; Chapter 1: Pietrangelian Film Theory: From Neorealism to Feminism; Chapter 2: Maid from the Margins: Il sole negli occhi; Chapter 3: The Coming of Age of a Teenage Bride: Nata di marzo; Chapter 4: Legally Bound: Political Realism and Prostitution in Adua e le compagne; Chapter 5: Fantasmi a Roma: Sur- Realism and the Time- Image; Chapter 6: The Dora Problem: La parmigiana , Piatti, Pietrangeli and Freud; Chapter 7: Too Much Woman: Marriage, Power, and Excess in La visita; Chapter 8: Breaking Faith: Il magnifi co cornuto , Envy and the Crisis of Vision; Chapter 9: Io la conoscevo bene ... Or did I? Antonio Pietrangeli, the Author and the Actress; Conclusion: Antonio Pietrangeli, Feminism and Film Theory; Bibliography; Index.


About the author










Dr. Emma Van Ness teaches Italian language, literature, and film at Plymouth State University in Plymouth, New Hampshire.


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