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How the Classics Made Shakespeare

Inglese · Copertina rigida

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Zusatztext "Jonathan Bate’s luminous study presents Shakespeare anew as a Renaissance writer. . . . The classics, Bate argues, made Shakespeare sexy . . . Shakespeareans of every kind will read this book with profit and pleasure." ---David Quint, Renaissance Quarterly Informationen zum Autor Jonathan Bate is Foundation Professor of Environmental Humanities at Arizona State University and Senior Research Fellow at Oxford University. His many books include Soul of the Age: A Biography of the Mind of William Shakespeare . He broadcasts regularly for the BBC, is the coeditor of The RSC Shakespeare: Complete Works , and wrote an acclaimed one-man play for Simon Callow, Being Shakespeare . Twitter @profbate Klappentext Ben Jonson famously accused Shakespeare of having "small Latin and less Greek." But he was exaggerating. Shakespeare was steeped in the classics. Shaped by his grammar school education in Roman literature, history, and rhetoric, he moved to London, a city that modeled itself on ancient Rome. He worked in a theatrical profession that had inherited the conventions and forms of classical drama, and he read deeply in Ovid, Virgil, and Seneca. In a book of extraordinary range, acclaimed literary critic and biographer Jonathan Bate, one of the world's leading authorities on Shakespeare, offers groundbreaking insights into how, perhaps more than any other influence, the classics made Shakespeare the writer he became. Revealing in new depth the influence of Cicero and Horace on Shakespeare and finding new links between him and classical traditions, ranging from myths and magic to monuments and politics, Bate offers striking new readings of a wide array of the plays and poems. At the heart of the book is an argument that Shakespeare's supreme valuation of the force of imagination was honed by the classical tradition and designed as a defense of poetry and theater in a hostile world of emergent Puritanism. Rounded off with a fascinating account of how Shakespeare became our modern classic and has ended up playing much the same role for us as the Greek and Roman classics did for him, How the Classics Made Shakespeare combines stylistic brilliance, accessibility, and scholarship, demonstrating why Jonathan Bate is one of our most eminent and readable literary critics.A book, from the UK's leading Shakespeare scholar, which elucidates the Bard's complex relationship with ancient world, from which he took so much inspiration. Zusammenfassung "This book grew from the inaugural E. H. Gombrich Lectures in the Classical Tradition that I delivered in the autumn of 2013 at the Warburg Institute of the University of London, under the title, "Ancient Strength: Shakespeare and the Classical Tradition"--Preface, page ix....

Dettagli sul prodotto

Autori Jonathan Bate, Bate Jonathan
Editore Princeton University Press
 
Contenuto Libro
Forma del prodotto Copertina rigida
Data pubblicazione 30.04.2019
Categoria Libri scolastici > Didattica > Formazione professionale
Scienze umane, arte, musica > Scienze linguistiche e letterarie > Letteratura / linguistica inglese
 
EAN 9780691161600
ISBN 978-0-691-16160-0
Numero di pagine 384
Dimensioni (della confezione) 15 x 22.3 x 2.4 cm
 
Serie E. H. Gombrich Lecture > 2
E. H. Gombrich Lecture Series
E. H. Gombrich Lecture Series
E. H. Gombrich Lecture > 2
Categorie Satire, Genre, Plautus, Ovid, Muse, Literature, Cicero, English, biography, Poetry, William Shakespeare, Poet, LITERARY CRITICISM / Drama, LITERARY CRITICISM / Ancient & Classical, Writing, Narrative, LITERARY CRITICISM / Modern / General, King Lear, Ben Jonson, Christopher Marlowe, Writer, Juvenal, Malvolio, Literary studies: classical, early & medieval, Lecture, Quintilian, Sonnet, Rhetoric, virgil, Heroides, Literature: history & criticism, Justus Lipsius, Tragedy, Eloquence, Twelfth Night, Much Ado About Nothing, Troilus and Cressida, Titus Andronicus, Metamorphoses, Literary studies: c 1500 to c 1800, Literary studies: c 1600 to c 1800, Literary studies: plays & playwrights, Literature: history and criticism, Literary studies: ancient, classical and medieval, Literary studies: plays and playwrights, classical antiquity, Allusion, Lucretia, Cymbeline, Parody, Antony and Cleopatra, irony, puritans, Livy, Aeneid, Horace, Terence, Suetonius, The Comedy of Errors, The Two Gentlemen of Verona, decorum, English poetry, Trojan war, S. (Dorst novel), soliloquy, Shakespeare's plays, The Merry Wives of Windsor, classical tradition, Mark Antony, Metre (poetry), Shakespeare's sonnets, Elizabethan era, Invective, John Lyly, Timon of Athens, Love's Labour's Lost, Leontes, Thomas Nashe, Arthur Golding, Apemantus, Amores (Ovid), The Spanish Tragedy
 

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