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Informationen zum Autor Jo Hamya was born in London in 1997. She is the author of Three Rooms and The Hypocrite, which was shortlisted for the Nero Book Awards 2024. She has written for the New York Times , the Financial Times and the Guardian, among others, and served as co-host of the Booker Prize Podcast. She is also the recipient of a Harold Moody doctoral studentship at King's College London, where her research focuses around building on 20th century western literary sociology and critique to create a viable school of literary criticism for a 21st century digitised landscape. Klappentext What happens when we stop idolising the generations above us? Stop idolising our own parents? What happens when we become frightened of the generations below us? Frightened of our own children? The Aeolian islands, 2010. Sophia, on the cusp of adulthood, spends a long hot summer with her father in Sicily. There she falls in love for the first time. There she works as her father's amanuensis, typing the novel he dictates, a story about sex and gender divides. There, their relationship fractures. London, Summer 2020. Sophia's father, a 61-year-old novelist who does not feel himself to be a bad or outdated person sits in a large theatre, surrounded by strangers, watching his daughter's first play. A play that takes that Sicilian holiday is its subject. A play that will force him to watch his purported crimes play out in front of him. Vorwort 'Jo Hamya is an exceptionally gifted writer' Claire-Louise Bennett From the author of Three Rooms , comes a novel about a father and a daughter, about generational divides and whether one should bite one's tongue out of love Zusammenfassung What happens when we stop idolising the generations above us? Stop idolising our own parents? What happens when we become frightened of the generations below us? Frightened of our own children? The Aeolian islands, 2010. Sophia, on the cusp of adulthood, spends a long hot summer with her father in Sicily. There she falls in love for the first time. There she works as her father's amanuensis, typing the novel he dictates, a story about sex and gender divides. There, their relationship fractures. London, Summer 2020. Sophia's father, a 61-year-old novelist who does not feel himself to be a bad or outdated person sits in a large theatre, surrounded by strangers, watching his daughter's first play. A play that takes that Sicilian holiday is its subject. A play that will force him to watch his purported crimes play out in front of him. ...
