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John Wallis
Writings on Music

Inglese · Copertina rigida

Spedizione di solito entro 3 a 5 settimane

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Informationen zum Autor David Cram Klappentext John Wallis (1616-1703), was one of the foremost British mathematicians of the seventeenth century, and is also remembered for his important writings on grammar and logic. An interest in music theory led him to produce translations into Latin of three ancient Greek texts - those of Ptolemy, Porphyry and Bryennius - and involved him in discussions with Henry Oldenburg, the Secretary of the Royal Society, Thomas Salmon and other individuals as his ideas developed. The texts presented in this volume cover the relationship of ancient and modern tuning theory, the building of organs, the phenomena of resonance, and other musical topics. Zusammenfassung John Wallis (1616-1703), was one of the foremost British mathematicians of the seventeenth century, and is also remembered for his important writings on grammar and logic. An interest in music theory led him to produce translations into Latin of three ancient Greek texts - those of Ptolemy. Inhaltsverzeichnis Contents: Introduction; Letters to Henry Oldenburg, May 1664; Letters to Henry Oldenburg, March 1677; ’The harmonics of the ancients compared with today’s’: appendix to Ptolemy’s Harmonics, 1682; Notice of Wallis’s edition of Ptolemy’s Harmonics in the Philosophical Transactions, January 1683; ’A question in musick’, Philosophical Transactions March 1698; A letter to Samuel Pepys, June 1698; Letters to Andrew Fletcher, August 1698; Select Bibliography; Index.

Dettagli sul prodotto

Con la collaborazione di Benjamin Wardhaugh (Editore), David Cram (Editore), Dr. David Cram (Editore)
Autori Benjamin Wardhaugh, David Wardhaugh Cram, Dr. Benjamin Wardhaugh, David (EDT)/ Wardhaugh Cram
Editore ASHGATE PUB CO
 
Contenuto Libro
Forma del prodotto Copertina rigida
Data pubblicazione 28.09.2014
Categoria Scienze umane, arte, musica > Musica > Altro
 
EAN 9780754668701
ISBN 978-0-7546-6870-1
Numero di pagine 250
Dimensioni (della confezione) 16.2 x 24 x 2 cm
 
Serie Music Theory in Britain, 1500-
Music Theory in Britain, 1500–1700: Critical Editions
Music Theory in Britain, 1500-1700: Critical Editions
Music Theory in Britain, 1500–1700: Critical Editions
Categorie History, HISTORY / General, MUSIC / Instruction & Study / Theory, MUSIC / Genres & Styles / Classical, 17th century, c 1600 to c 1699, Theory of music & musicology, baroque, Early modern history: c 1450/1500 to c 1700, 16th century, c 1500 to c 1599, Art music, orchestral and formal music, Theory of music and musicology, Baroque music (c 1600 to c 1750), ancient Greek music, scientific correspondence, historical musicology, Vice Versa, La La, ancient and modern tuning comparison, resonance phenomena, tuning theory, organ construction, Mi Fa, Thomas Salmon, Diatonic Genus, La Mi, Aristides Quintilianus, Conjunct Tetrachords, Trumpet Marine, Henry Oldenburg, Coincidence Theory, Savilian Professor, Marsh’s Library, Duple Ratio, Narcissus Marsh, Wallis’s Edition, Sol La, Full Tone, Fa Sol, La Fa, Ptolemy’s Harmonics
 

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