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Informationen zum Autor Gail Anderson president of Gail Anderson & Associates (GA&A) works with museum leaders facilitating institutional transformation, building institutional and leadership capacity, and expanding community and global relevance. Anderson has dedicated much of her 40+ year career to researching, amassing and sharing resources and new ideas to contribute to the evolving thinking about museums. Anderson’s projects include strategic planning, organizational restructuring, institutional assessment and development, and board development. She has worked with more than 70+ clients and completed over 110+ projects. Her core commitments have been to advance social responsibilities, DEAI efforts in the field, decolonization efforts, and museums as key players in the larger global ecosystem. Prior to launching her own consulting business, Anderson was Deputy Director of The Mexican Museum, Vice President of Museum Management Consultants, Chair of the Graduate Department of Museum Studies at John F. Kennedy University in Berkeley, California, Assistant Director at the Southwest Museum in Los Angeles, and Museum Educator at the Museum of Northern Arizona. Her publications include the American Association of Museums book, Museum Mission Statements: Building A Distinct Identity (1997), Reinventing the Museum: Historical and Contemporary Perspectives on the Paradigm Shift (2004), and the second edition, Reinventing the Museum: The Evolving Conversation on the Paradigm Shift (2012), and, Mission Matters: Relevance and Museums for the 21 st Century (2019), plus numerous articles . This 3rd edition Reinventing the Museum: Relevance, Inclusion and Global Responsibilities is Anderson’s latest publication. Anderson continues her commitment to advancing the field through frequent speaking engagements, writing, and teaching. Nichola Dobson is a Lecturer in Animation at Edinburgh College of Art, University of Edinburgh. Devoted to the study of animation history and theory since 2000 she was the founding editor of Animation Studies Online Journal from 2006-2010 and the President for the Society of Animation Studies from 2015-2019. Klappentext CSI has been heralded in many spheres of public discourse as a televisual revolution, its effects on the public unprecedented. The CSI Effect: Television, Crime, and Governance demonstrates that CSI's appeal cannot be disentangled from either its production as a televisual text or the broader discourses and practices that circulate within our social landscape. This interdisciplinary collection bridges the gap between the study of media, particularly popular culture media, and the study of crime. The contributors consider the points of intersection between these very different realms of scholarship and in so doing foster the development of a new set of theoretical languages in which the mediated spectacle of crime and criminalization can be carefully considered. This timely and groundbreaking volume is bound to intrigue both scholars and CSI enthusiasts alike. Inhaltsverzeichnis Part 1 CSI as Neoliberalism: An Introduction Part 2 The CSI Effect: Producing Justice, Science, and Television Drama Chapter 3 Chapter 1: The CSI Effect: "Science" Fiction? Chapter 4 Chapter 2: The Science and Careers of CSI Chapter 5 Chapter 3: CSI and Law and Order : Dueling Representations of Science and the Law in the Criminal Justice System Chapter 6 Chapter 4: Generic Difference and Hybridisation in CSI Part 7 Bodies of Evidence Chapter 8 Chapter 5: The Body as Abject and Object in CSI Chapter 9 Chapter 6: The City of Our Times: Space, Identity and the Body in CSI: Miami Chapter 10 Chapter 7: Crime Scene Investigation as Applied Environmental History Part 11 Late Modern Subjects Chapter 12 Chapter 8: Not the Usual Suspects: The Obfuscat...
