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Informationen zum Autor Robert Wicks is Associate Professor of Philosophy at the University of Auckland. He is the author of Modern French Philosophy: From Existentialism to Postmodernism (2003), Nietzsche (2002), and Hegel's Theory of Aesthetic Judgment (1994). He is also the author of the Stanford Encyclopedia of Philosophy entry on Schopenhauer. Klappentext Arthur Schopenhauer's reputation as a cynic and a misanthrope often obscures the complexity and humanity of his philosophy. In this innovative volume, Robert Wicks breaks away from the accepted oversimplification of Schopenhauer as an incurable pessimist, to present an insightful portrait of his life and work.Beginning with a look at his early life and the people and circumstances that shaped his thinking, the book situates Schopenhauer's philosophical work within the context of these formative years. It examines Schopenhauer's aesthetic and moral theories, his affinity toward Asian mysticism and Christianity, as well as his ideas about the sublime, consciousness, empathy, humanity, and "Will". The volume focuses on the composition and structure of Schopenhauer's philosophy and explores his intellectual links to Hegel, Nietzsche, and Wittgenstein.An essential resource for students and scholars of aesthetics and nineteenth-century philosophy, this is an important introduction to a unique and influential thinker. Zusammenfassung This innovative volume presents an insightful philosophical portrait of the life and work of Arthur Schopenhauer. Inhaltsverzeichnis Preface. Acknowledgments. Abbreviations. Chapter One: The Philosophy of a Nonconformist (1788-1860). I. The Unsettled Years: 1788-1831. II. The Stable Years: 1833-1860. Part I: Schopenhauer's Theoretical Philosophy. Chapter Two: Historical Background. I. Mind-Dependent Qualities versus Mind-Independent Qualities. II. Space and Time. Chapter Three: The Principle of Sufficient Reason. I. The Root of All Explanation. II. The Four Basic Forms of Explanation. Chapter Four: Schopenhauer's Idealism and his Criticism of Kant. I. The Rejection of a Mind-Independent Reality. II. Kant's Theory of Perception. III. Kant's Use of the Term "Object". IV. The Logic of Manifestation. Chapter Five: The World in Itself as a Meaningless and Almighty Will. I. Universal Subjectivity. II. The World as Will. III. The Two-Tiered Objectification of the Will: Platonic Ideas and Spatio-Temporal Individuals. Chapter Six: Critical Interpretations of the World as Will. I. Scientific Knowledge, Philosophical Knowledge, and Mystical Knowledge. II. Regular Time versus the Eternal Present. Part II: Schopenhauer's Practical Philosophy . Chapter Seven: Endless Suffering in the Daily World. I. A Universal Will Without Purpose. II. The Purposelessness of Schopenhauer's Thing-in-Itself. III. Life as Embittering: Schopenhauer and Buddhism. Chapter Eight: Tranquility I: Sublimity, Genius, and Aesthetic Experience. I. Platonic Ideas and Aesthetic Experience. II. Artistic Genius and the Communication Theory of Art. III. The Hierarchy of the Visual and Verbal Arts. IV. Tragedy and Sublimity. V. Music and Metaphysical Experience. Chapter Nine: Tranquility II: Christlike Virtue and Moral Awareness. I. Empathy as the Foundation of Moral Awareness. II. Intelligible, Empirical, and Acquired Character. III. Humanity's Sublime Anguish. Chapter Ten: Tranquility III: Asceticism, Mysticism, and Buddhism. I. The Possibility of the Denial-of-the-Will. II. Christian Quietism, Yogic Ecstasy, and Buddhist Enlightenment. III. Asceticism and Spiritual Purification. Part III: Schop...
