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Allen Ginsberg's life and career can only be described as exceptional. Fond of pushing limits and challenging boundaries, Ginsberg produced a staggering body of work that garnered attention not just for its innovative style and personal candor, but for its range of theme and willingness to meaningfully engage the world in a bid to change it. Ginsberg is essential to an understanding of 20th century poetry. But Ginsberg was not just a poet. He was an icon, instantly recognizable to his legions of fans in underground circles, and it is impossible to overstate the importance of Ginsberg as a countercultural figure. Taking a broadly chronological approach, this volume provides a comprehensive overview of the major issues, themes, and moments essential to understanding Ginsberg, his work, and his outsized influence on the cultural politics of the postwar both in the US and globally.
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Erik Mortenson is a Faculty Member in English at Lake Michigan College in Benton Harbor, Michigan. He is the author of Capturing the Beat Moment: Cultural Politics and the Poetics of Presence (2011), Ambiguous Borderlands: Shadow Imagery in Cold War American Culture (2016), and Translating the Counterculture: The Reception of the Beats in Turkey (2018). He has also edited The Beats and the Academy: A Renegotiation (Clemson 2023) with Tony Trigilio, and Rethinking Kerouac: Afterlives, Continuities, Reappraisals (Bloomsbury 2024) with Tomasz Sawczuk. His memoir of bohemian Detroit, Kick Out the Bottom (2023), was co-written with Christopher Kramer.
