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This elegantly designed publication explores Oscar Murillo's ambitious reimagining of Monet through a contemporary lens.
What happens when the radical beauty of Claude Monet's late paintings meets the political tensions of the present? Interdisciplinary artist Oscar Murillo explores that question in a sweeping body of work that reimagines perception, power, and place through the language of mark-making. At its core is surge (social cataracts)-a series of large-scale, visually arresting paintings that echo Monet's Grainstacks, Houses of Parliament, and Water Lilies, while confronting the political dimension of seeing and not seeing by positing darkness as a space of speculation for a new reading of impressionism. These works appear alongside further paintings by Murillo as well as his long-running Frequencies project, created in collaboration with schoolchildren across the globe, and participatory pieces that extend his practice beyond the studio and into the public realm. The result is a layered meditation on visibility, landscape, and the politics of artistic labor-across borders and generations. Designed with a modern flair to reflect the energy and ambition of the project, the book includes full-bleed plates, striking installation photography, and images from community-based projects. Both a record of a major artistic undertaking and a reflection of Murillo's socially engaged approach, it offers an immersive look at a practice that is as materially rich as it is conceptually urgent.
Info autore
Anna Schneider is the director of DAS MINSK Kunsthaus in Potsdam, Germany.Daniel Milnes is curator at DAS MINSK Kunsthaus in Potsdam, Germany.
Riassunto
This elegantly designed publication explores Oscar Murillo’s ambitious reimagining of Monet through a contemporary lens.
What happens when the radical beauty of Claude Monet’s late paintings meets the political tensions of the present? Interdisciplinary artist Oscar Murillo explores that question in a sweeping body of work that reimagines perception, power, and place through the language of mark-making. At its core is surge (social cataracts)—a series of large-scale, visually arresting paintings that echo Monet’s Grainstacks, Houses of Parliament, and Water Lilies, while confronting the political dimension of seeing and not seeing by positing darkness as a space of speculation for a new reading of impressionism. These works appear alongside further paintings by Murillo as well as his long-running Frequencies project, created in collaboration with schoolchildren across the globe, and participatory pieces that extend his practice beyond the studio and into the public realm. The result is a layered meditation on visibility, landscape, and the politics of artistic labor—across borders and generations. Designed with a modern flair to reflect the energy and ambition of the project, the book includes full-bleed plates, striking installation photography, and images from community-based projects. Both a record of a major artistic undertaking and a reflection of Murillo’s socially engaged approach, it offers an immersive look at a practice that is as materially rich as it is conceptually urgent.
