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Gabriel Garcia Marquez''s finest and most famous work, the Nobel Prize-winning One Hundred Years of Solitude chronicles, through the course of a century, life in Macondo and the lives of six Buendia generations-from Jose Arcadio and Osrsula, through their son, Colonel Aureliano Buendia (who commands numerous revolutions and fathers eighteen additional Aurelianos), through three additional Jose Arcadios, through Remedios the Beauty and Renata Remedios, to the final Aureliano, child of an incestuous union. As babies are born and the world''s ''great inventions'' are introduced into Macondo, the village grows and becomes more and more subject to the workings of the outside world, to its politics and progress, and to history itself. And the Buendias and their fellow Macondons advance in years, experience, and wealth . . . until madness, corruption, and death enter their homes. Gabriel Garcia Marquez''s classic novel weaves a magical tapestry of the everyday and the fantastic, the humdrum and the miraculous, life and death, tragedy and comedy-a tapestry in which the noble, the ridiculous, the beautiful, and the tawdry all contribute to an astounding vision of human life and death, a full measure of humankind''s inescapable potential and reality. ''One Hundred Years of Solitude is the first piece of literature since the Book of Genesis that should be required reading for the entire human race.''-New York Times Book Review
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"This extraordinary novel obliterates the family tree in a prose jungle of overwhelming magnificence. . . . You have the sense of living along with the Buendías (and the rest), in them, through them, and in spite of them, in all their loves, madnesses and wars, their allegiances, compromises, dreams and deaths. . . . Like the jungle itself, this novel comes back again and again, fecund, savage and irresistible." - Paul West, Washington Post
"One Hundred Years of Solitude is the first piece of literature since the Book of Genesis that should be required reading for the entire human race. It takes up not long after Genesis left off and carries through to the air age, reporting on everything that happened in between with more lucidity, wit, wisdom, and poetry that is expected from 100 years of novelists, let alone one man. . . . García Márquez has done nothing less than to create in the reader a sense of all that is profound, meaningful, and meaningless in life." - William Kennedy, National Observer
"At 50 years old, García Márquez's masterpiece is as important as ever. . . To experience a towering work like One Hundred Years of Solitude is to be reminded of the humility we should all feel when trying to assert what is true and what is false." - LitHub
"One Hundred Years of Solitude is substantive and substantial, and its prose precise for the simple reason that its sentences are too exquisite to be inessential. It is a novel on which is bestowed the laurels usually awarded to great works of frugal prose. Yet its genius is in the operatic telling." - USA Weekend
"One Hundred Years of Solitude offers plenty of reflections on loneliness and the passing of time. It can also be seen as a caustic commentary on the evils of war, or a warm appreciation of familial bonds. García Márquez has urgent things to say that still feel close to home, 50 years after the book was first published." - USA Today (four stars)
"One of the seminal works of 20th century Latin American fiction, it is a classic." - Variety
One of the Landmarks of Modern Literature - New York Public Library
"[This novel] is very special. . . . An expansive legend of a town and family, a political parable, an instrument of rare magic that performs astonishing miracles of transformation. It is a comic masterpiece. It is intelligent. It is slippery with the juice of life." - Newsweek
"A fabulous creation of magic, and metaphor, and myth. . . . To depict a world so fabulous, so exotic, so extravagant in its comic and tragic effects and yet so palpably real is a magnificent achievement." - William McPherson, Washington Post
"No other writer in our time has operated on so vast a scale. None has approached his literary achievement. . . . [García Márquez is] the most important writer of the second half of the twentieth century in any language." - The Nation
"The greatest novel in any language of the last fifty years." - Salman Rushdie
"The greatest revelation in the Spanish language since Don Quixote." - Pablo Neruda
"You emerge from this marvelous novel as if from a dream, the mind on fire. . . . With a single bound, Gabriel García Márquez leaps onto the stage with Günter Grass and Vladimir Nabokov, his appetite as enormous as his imagination, his fatalism greater than either. Dazzling." - John Leonard, New York Times
"Unofficially, it's everybody's favorite work of world literature and the novel that, more than any other since World War II, has inspired novelists of our time-from Toni Morrison to Salman Rushdie to Junot Díaz. . . . Sexy, entertaining, experimental, politically radical, and wildly popular all at once." - Vanity Fair
"An irresistible work of storytelling, mixing the magic of the fairy tale, the realistic detail of the domestic novel and the breadth of the family saga." - New York Times
