Artists and Markets in Music The Political Economy of Music During the Covid Era and Beyond

This monograph is an innovative examination of the political economy of music. It integrates original economic theories and empirical research to shed light on the economic and social forces shaping music and society today.

Info autore

Cameron M. Weber is an economist and historian living in Brooklyn, where he also produces a current events program about political economy called Hardfire TV with the BRIC Arts Media House.
Ying Zhen is an Associate Professor of Business and Economics, Department of Business and Economics, Wesleyan College, Georgia, USA.
J. J. Arias is Professor of Economics and Chair of the Department of Economics and Finance at Georgia College and State University, Georgia, USA.

Riassunto

This monograph is an innovative examination of the political economy of music. It integrates original economic theories and empirical research to shed light on the economic and social forces shaping music and society today.

Dettagli sul prodotto

• Autori: Cameron M. Weber, Ying Zhen, J.J. Arias, Cameron M. Zhen Weber
• Editore: Taylor & Francis Ltd.
• Contenuto: Libro
• Forma del prodotto: Tascabile
• Data pubblicazione: 18.12.2024
• Categoria: Scienze sociali, diritto, economia > Economia > Altro; Scienze umane, arte, musica > Storia
• EAN: 9780367700386
• ISBN: 978-0-367-70038-6
• Numero di pagine: 168
• Serie: Routledge Studies in the Economics of Business and Industry
• Categorie: History, Music, Media Studies, Business & Economics / General, BUSINESS & ECONOMICS / Economics / General, BUSINESS & ECONOMICS / Economics / Microeconomics, MUSIC / Business Aspects, BUSINESS & ECONOMICS / Industries / Entertainment, Labour / income economics, Music Industry, Humanities, Labour Economics, Microeconomics, Cultural Economics, creative destruction, music industry analysis, copyright law in music, entrepreneurship in arts, musician mental health, empirical research on US music economy