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Informationen zum Autor Brian McKernan (White Plains, NJ) is the Editorial Director of Television Broadcasting, Videography, and Digital Cinema magazines. Klappentext Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product. THE INSIDER'S GUIDE TO THE DIGITAL REVOLUTION READERS ON BRIAN McKERNAN ***** "A must for anyone who cares about navigating the new world of digital content."* ***** "The digital revolution 'Bible' ... an invaluable resource for anyone seriously interested in video, TV, streaming, and movies, and ... it's a great read."* ***** "A must-have ... reveals the lessons learned from decades of failure and success ... and gives roadmaps to the future."* * On Creating Digital Content: Video Production for Web, Broadcast, and Cinema, co-edited by Brian McKernan INSIDE THE PARADIGM SHIFT THAT'S REMAKING THE MOTI0N PICTURE INDUSTRY Not since the advent of sound has technology so greatly impacted motion pictures. With its huge cost-saving potential, digital technology can alter every aspect of the movie-making process, from shooting through postproduction to delivery and exhibition. The digital cinema revolution is the result of years of progress in the technologies of film, computer graphics, and high-definition television. Now Brian McKernan, founding editor of Digital Cinema magazine, provides an up-to-date look at how new digital technologies are reshaping the movie industry. Digital cinema -- how it came about, its history and pioneersUnderstanding digital image compressionThe latest camera choices for digital cinematography -- from high end systems to the affordable world of indie filmmakingAudio and the cinema -- why sound is half the pictureThe revolution in postproduction -- the convergence of computer graphics, HDTV, film, and videoNonlinear editing-software choices, new techniques, and digital compositingDigital intermediates--color grading, changing the shot after the shoot, film transfer, and film recordingIndependent digital filmmaking in Hollywood and across the nation -- the democratization of the moviesThe new role of the cinematographer in the digital ageUnderstanding digital projection technologiesWhat digital cinema means to indie productions, exhibitors, film distribution, and the future of the movies You'll also find insights on the cost-vs.-quality controversy, the impact of digital cinema on creative freedom, and the integration of film and digital from such leading filmmakers as George Lucas, Robert Rodriguez, and Michael Ballhaus ASC. Zusammenfassung Offers an overview of digital cinema technology, detailing how the different phases of the moviemaking process, shooting, postproduction, delivery, and exhibition, are changed by digital technology. This title includes digital Cinematography - how to photograph and shoot in digital; and, Nonlinear Editing - software, basic techniques and savings. Inhaltsverzeichnis PREFACEACKNOWLEDGMENTSChapter 1: BeginningsChapter 2: Computer Graphics, Digital Video, and High-Definition TelevisionChapter 3: Lucas Takes the LeadChapter 4: Digital CompressionChapter 5: Cinematography ToolsChapter 6: PostproductionChapter 7: EFILM: A Case Study in Digital IntermediatesChapter 8: Sound Is Half the PictureChapter 9: Rebel Without a CrewChapter 10: Indy Dreams, Indy RealitiesChapter 11: A Whole New BallgameChapter 12: The Best Thief in the WorldChapter 13: Interview with Michael Ballhaus, ASCChapter 14: Digital Projection -- Films Without FilmChapter 15: Texas Instruments' DLP CinemaChapter 16: The Future of the MoviesEPILOGUEINDEX...
