Performance, Masculinity, and Self-Injury

This book is an ambitious and expansive examination of the visual language of self-injury in performance art from the 1960s to the present.

Info autore

Lucy Weir is Chancellor's Fellow in History of Art at the University of Edinburgh and an AHRC/BBC New Generation Thinker. She is the author of Pina Bausch's Dance Theatre (2018), and co-editor of Performance in a Pandemic (Routledge, 2021).

Riassunto

This book is an ambitious and expansive examination of the visual language of self-injury in performance art from the 1960s to the present.

Dettagli sul prodotto

• Autori: Lucy (University of Edinburgh Weir, Lucy Weir
• Editore: Taylor & Francis Ltd.
• Contenuto: Libro
• Forma del prodotto: Copertina rigida
• Data pubblicazione: 02.09.2024
• Categoria: Scienze naturali, medicina, informatica, tecnica > Geoscienze > Geografia; Scienze umane, arte, musica > Arte > Tematiche generali, enciclopedie
• EAN: 9781032027098
• ISBN: 978-1-0-3202709-8
• Numero di pagine: 184
• Serie: Routledge Research in Gender and Art
• Categorie: Sociology, Cultural Studies, SOCIAL SCIENCE / Sociology / General, HEALTH & FITNESS / Sexuality, SOCIAL SCIENCE / Anthropology / Cultural & Social, SELF-HELP / Sexual Instruction, PERFORMING ARTS / Theater / General, ART / History / Contemporary (1945-), SOCIAL SCIENCE / Men's Studies, ART / Performance, 21st Century, Theatre Studies, History of Art, History of art & design styles: from c 1900 -, Visual Culture Studies, Later 20th century c 1950 to c 1999, Art & design styles: from c 1960, Sex & sexuality, sex manuals, Performance Art, Early 21st century c 2000 to c 2050, Gender studies: men and boys, Gender Studies: Men, Sex and sexuality: advice and issues, c 1945 to c 2000 (Post-war period), sociological analysis, gendered embodiment, contemporary art criticism, global performance studies, self-inflicted injury in art practice, risk and identity theory