Fr. 76.00

Doris Salcedo

Inglese · Copertina rigida

Spedizione di solito entro 1 a 3 giorni lavorativi

Descrizione

Ulteriori informazioni

Experiences of violence and loss take shape in the work of internationally acclaimed Colombian artist Doris Salcedo. Although her sculptures and installations are often based on concrete events, feelings of grief, alienation and loss of home take on a universally valid, heartfelt expression in her works. Different materials such as stone and concrete, wooden furniture, grass, petals, hair or pieces of clothing are transformed and charged with meaning. Rarely do individual pain and collective grief find such a touching form or has their social overcoming been formulated so forcefully. Created in close collaboration with the artist, the catalogue offers a comprehensive survey over Salcedo's work from 1986 to 2022.
DORIS SALCEDO (*1958, Bogotá) is internationally renowned for her sculptures, site-specific installations and public interventions that address the traumas of violence, racism and other forms of marginalization. In 2003, on the occasion of the Istanbul Biennial, she stacked 1,550 chairs between two buildings; in 2007, she drove a 167-meter-long crack into the Turbine Hall of the Tate Modern for her work Shibboleth. Her most recent work Uprooted (2020 - 22) has been presented at the Sharjah Biennial.

Riassunto

Experiences of violence and loss take shape in the work of internationally acclaimed Colombian artist Doris Salcedo. Although her sculptures and installations are often based on concrete events, feelings of grief, alienation and loss of home take on a universally valid, heartfelt expression in her works. Different materials such as stone and concrete, wooden furniture, grass, petals, hair or pieces of clothing are transformed and charged with meaning. Rarely do individual pain and collective grief find such a touching form or has their social overcoming been formulated so forcefully. Created in close collaboration with the artist, the catalogue offers a comprehensive survey over Salcedo’s work from 1986 to 2022.

DORIS SALCEDO (*1958, Bogotá) is internationally renowned for her sculptures, site-specific installations and public interventions that address the traumas of violence, racism and other forms of marginalization. In 2003, on the occasion of the Istanbul Biennial, she stacked 1,550 chairs between two buildings; in 2007, she drove a 167-meter-long crack into the Turbine Hall of the Tate Modern for her work
Shibboleth
. Her most recent work
Uprooted
(2020 – 22) has been presented at the Sharjah Biennial.

Testo aggiuntivo

»Über allem Grauen liegt ein zarter Schimmer der Hoffnung - das macht den Zauber dieses Werks aus«

Relazione

»Über allem Grauen liegt ein zarter Schimmer der Hoffnung - das macht den Zauber dieses Werks aus« Gerhard Mack art Magazin, 05.2023

Dettagli sul prodotto

Autori Fiona Hesse, Mary Schneider Enriquez
Con la collaborazione di Fiona Hesse und Sam Keller für die Fondation Beyeler (Editore), Fiona Hesse (Editore), Fiona Hesse und Sam Keller für die Fon (Editore), Keller (Editore)
Editore Hatje Cantz Verlag
 
Lingue Inglese
Formato Copertina rigida
Pubblicazione 30.05.2023
 
EAN 9783775754934
ISBN 978-3-7757-5493-4
Pagine 248
Dimensioni 218 mm x 26 mm x 286 mm
Peso 1096 g
Illustrazioni 160 Abb.
Categorie Scienze umane, arte, musica > Arte > Arte figurativa

Migration, Ausstellung, Skulptur, Zeitgenössische Kunst, Bildhauerei und Plastik, Künstlerin, Installationskunst, Kolumbien, Gewalt und Missbrauch in der Gesellschaft, auseinandersetzen, Fondation Beyeler, Alltagsobjekte, Strafrecht: Häusliche und geschlechtsbezogene Gewalt, Rassismus und Rassendiskriminierung / Antirassismus, Doris Salcedo

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