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Russian Orientalism in a Global Context
Hybridity, Encounter, and Representation, 17401940

Inglese · Copertina rigida

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This volume features new research on Russia's historic relationship with Asia and the ways it was mediated and represented in the fine, decorative and performing arts and architecture from the mid-eighteenth century to the first two decades of Soviet rule. It interrogates how Russia's perception of its position on the periphery of the west and its simultaneous self-consciousness as a colonial power shaped its artistic, cultural and national identity as a heterogenous, multi-ethnic empire. It also explores the extent to which cultural practitioners participated in the discursive matrices that advanced Russia's colonial machinery on the one hand and critiqued and challenged it on the other, especially in territories that were themselves on the fault lines between the east and the west.


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Maria Taroutina is Assistant Professor of Slavic Studies at Brown University Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art and Architecture at the University of Louisiana at Lafayette


Riassunto

This volume features new research by an international group of scholars on Russia’s historic relationship with Asia and the ways in which it was mediated and represented in the fine, decorative, and performing arts and architecture from the mid-eighteenth century to the first two decades of Soviet rule. -- .

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