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Merchants of Style
Art and Fashion After Warhol

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Descrizione

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An incisive look at the accelerating convergence of art and fashion.


Info autore

Natasha Degen is Professor and Chair of Art Market Studies at the Fashion Institute of Technology, New York. She edited The Market (2013) and has written for the Financial Times, the New York Times, the Los Angeles Times, the New Yorker, Artforum and Frieze. For more information visit www.natashadegen.com.

Riassunto

An incisive look at the accelerating convergence of art and fashion.

Dettagli sul prodotto

Autori Degen Natasha, Natasha Degen
Editore Reaktion Books
 
Contenuto Libro
Forma del prodotto Copertina rigida
Data pubblicazione 01.03.2023
Categoria Scienze umane, arte, musica > Arte > Storia dell'arte
 
EAN 9781789146691
ISBN 978-1-78914-669-1
Numero di pagine 288
Dimensioni (della confezione) 16.5 x 25 x 3 cm
 
Categorie Corporate Identity, Banksy, Citroën, Japan, China, Conceptual Art, Branding, Tate Modern, MoMA, Prada, Karl Lagerfeld, Advertising, Yves Saint Laurent, Gucci, Fendi, Miu Miu, Lady Gaga, Vogue, Centre Pompidou, Louis Vuitton, Robert Mapplethorpe, Picasso, Soho, Damien Hirst, Rei Kawakubo, Issey Miyake, Marc Jacobs, Chanel, Calvin Klein, Alexander McQueen, contemporary Art, Dalí, Nike, Rem Koolhaas, Madison Avenue, Diana Vreeland, Keith Haring, Basquiat, Trends, Anna Wintour, Jeff Koons, Media, Culture, Dior, Avant-garde, Asia, Experience, Celebrity, Galeries Lafayette, Streetart, Factory, DESIGN / Fashion & Accessories, ART / History / Contemporary (1945-), Cartier, Sterling Ruby, Luxury, Murakami, thorstein Veblen, trussardi, Brands, schiaparelli, minimalism, Surrealism, DIS, Kanye West, Jay-Z, Fondation Louis Vuitton, Duchamp, K11, interview magazine, Consumer, History of Art, Marina Abramovic, Guggenheim, yayoi kusama, museums, artforum, Sotheby's, Metropolitan Museum, Fashion & society, Hermès, Retail, Bernard Arnault, Later 20th century c 1950 to c 1999, Pompidou, Virgil Abloh, LACMA, Brooklyn Museum, Gagosian, streetwear, Art & design styles: from c 1960, Doig, History of fashion, Christie's, Gehry, Raf Simons, Supreme, funding, Gursky, Gen Z, Fashion and textile design, Thomas Demand, Helmut Lang, Armani, Martin Margiela, Fondation Cartier, harold koda, galleries, LVMH, Gen Y, normcore, Celine, Uniqlo, Whitney Museum, Cultural studies: dress and society, Madeleine Vionnet, Met Gala, Rive Gauche, commercial art, Collaborations, curators, Comme des Garçons, Artification, Artpop, Halo effect, arcades, stylists, collabs, department stores, charles frederick worth, Flagship, mega-galleries, Elmgreen & Dragset, graffit, art pop, Saks Fifth Avenue, Dia Art Foundation, Hauser & Wirth gallery, Chalayan, megastores, Prada Marfa, Bonwit Teller, Fondazione, Jon Rafman, Off-White label, Pinault, Alain-Dominique Perrin, costume institute, Bernadette Corporation, Absolut Vodka, Pace Gallery, House of Worth, OriginalFake, Viktor & Rolf, auction houses, Macy’s, Thomas Krens, Massachusetts Museum of Contemporary Art, art malls, megastore, David Zwirner gallery, Yohgi Yamamoto, Kenzo, Wanamaker’s department store, Balenciaga, Bon Marché, Poiret, S.R. STUDIO LA, Business Art, Lee Quiñones, Tod’s, Daniel Arsham
 

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