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Is Byzantine Studies a Colonialist Discipline?
Toward a Critical Historiography

Inglese · Tascabile

Spedizione di solito entro 3 a 5 settimane

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Is Byzantine Studies a colonialist discipline? Rather than provide a definitive answer to this question, this book defines the parameters of the debate and proposes ways of thinking about what it would mean to engage seriously with the field's political and intellectual genealogies, hierarchies, and forms of exclusion.
In this volume, scholars of art, history, and literature address the entanglements, past and present, among the academic discipline of Byzantine Studies and the practice and legacies of European colonialism. Starting with the premise that Byzantium and the field of Byzantine studies are simultaneously colonial and colonized, the chapters address topics ranging from the material basis of philological scholarship and its uses in modern politics to the colonial plunder of art and its consequences for curatorial practice in the present. The book concludes with a bibliography that serves as a foundation for a coherent and systematic critical historiography. Bringing together insights from scholars working in different disciplines, regions, and institutions, Is Byzantine Studies a Colonialist Discipline? urges practitioners to reckon with the discipline's colonialist, imperialist, and white supremacist history.
In addition to the editors, the contributors to this volume include Andrea Myers Achi, Nathanael Aschenbrenner, Bahattin Bayram, Averil Cameron, Stephanie R. Caruso, Şebnem Dönbekci, Hugh G. Jeffery, Anthony Kaldellis, Matthew Kinloch, Nicholas S. M. Matheou, Maria Mavroudi, Zeynep Olgun, Arietta Papaconstantinou, Jake Ransohoff, Alexandra Vukovich, Elizabeth Dospěl Williams, and Arielle Winnik.


Info autore

Benjamin Anderson is Associate Professor of the History of Art and Classics at Cornell University. He is the author of Cosmos and Community in Early Medieval Art and coeditor of Antiquarianisms: Contact, Conflict, Comparison, and The Byzantine Neighbourhood: Urban Space and Political Action.Mirela Ivanova is Lecturer in Medieval History at the University of Sheffield. She is the author of Inventing Slavonic: Cultures of Writing Between Rome and Constantinople.

Riassunto

A volume of essays by scholars of Byzantine art, history, and literature addressing the entanglements between the academic discipline of Byzantine studies and the practice and legacies of European colonialism.

Dettagli sul prodotto

Con la collaborazione di Benjamin (Cornell University) Anderson (Editore), Mirela (University of Sheffield) Ivanova (Editore), Benjamin Anderson (Editore), Mirela Ivanova (Editore), Anderson Benjamin (Editore)
Editore University Presses
 
Contenuto Libro
Forma del prodotto Tascabile
Data pubblicazione 27.06.2023
Categoria Scienze umane, arte, musica > Arte > Storia dell'arte
 
EAN 9780271095264
ISBN 978-0-271-09526-4
Illustrazioni Raster,schwarz-weiss
Dimensioni (della confezione) 14 x 21.6 x 1.5 cm
Peso (della confezione) 318 g
 
Serie ICMA Books | Viewpoints
Categorie ART / History / General, HISTORY / Historiography, Historiography, History of Art, History of art: Byzantine & Medieval art c 500 CE to c 1400, Early history: c 500 to c 1450/1500, c 500 to c 1000 CE, C 500 CE To C 1000 CE, Byzantine style, Historiography;Byzantine Studies;Post-Colonial Studies;South-East European Studies;Medieval Studies;Pre-Modern Race
 

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