Science Fiction Cinema in the Twenty-First Century Transnational Futures, Cosmopolitan Concerns

This book critically analyses the role of transnational interactions and cosmopolitan ideals in the science fiction cinemas of twenty-first century.

Info autore

Pablo Gómez-Muñoz is Assistant Professor of English and Film at the University of Zaragoza (Spain). His research interests are transnational cinema, science fiction, borders, cosmopolitanism, globalization, precarity, and spectacle. His work has been published in journals such as Geopolitics, Journal of Transnational American Studies, and Atlantis and volumes such as Making Sense of Popular Culture and Frontières au Cinéma.

Riassunto

This book critically analyses the role of transnational interactions and cosmopolitan ideals in the science fiction cinemas of twenty-first century.

Dettagli sul prodotto

• Autori: Pablo Gomez (Faculty of Arts Munoz, Pablo Gómez-Muñoz, Pablo (Faculty of Arts Gomez-Munoz, Pablo Gómez Muñoz
• Con la collaborazione di: Taryne Jade Taylor (Editore della collana), Bodhisattva Chattopadhyay (Editore della collana)
• Editore: Taylor & Francis Ltd.
• Contenuto: Libro
• Forma del prodotto: Copertina rigida
• Data pubblicazione: 27.12.2022
• Categoria: Scienze naturali, medicina, informatica, tecnica > Geoscienze > Geografia; Scienze sociali, diritto, economia > Sociologia > Teorie sociologiche; Scienze umane, arte, musica > Arte > Fotografia, cinematografia, video, TV
• EAN: 9780367715328
• ISBN: 978-0-367-71532-8
• Numero di pagine: 182
• Serie: Studies in Global Genre Fiction
• Categorie: SOCIAL SCIENCE / General, FICTION / Science Fiction / General, FICTION / Dystopian, SOCIAL SCIENCE / Regional Studies, ART / Film & Video, 21st Century, 21st century, c 2000 to c 2100, Film: styles & genres, Film Theory & Criticism, Film: styles and genres, Film history, theory or criticism, neoliberalism critique, film and media studies, transnational film analysis, border theory, human rights representation, biopolitics in cinema, global science fiction film analysis