CHF 44.50

The Disobedience of Design
Gui Bonsiepe

Inglese · Tascabile

Spedizione di solito entro 1 a 3 settimane

Descrizione

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Provides for the first time in English a curated selection of the writings of the design thinker Gui Bonsiepe, representing his writings on the Ulm design school, on the relations of "core" and "periphery" and design as a tool for social and political change.


Info autore

Lara Penin is Professor of Transdisciplinary Design at Parsons School of Design, USA. She is a co-founder of the Parsons DESIS Lab research laboratory, a former director of the Transdisciplinary Design graduate program and a co-lead of the Graduate Minor in Civic Service Design. Lara is the author of An Introduction to Service Design: Designing the Invisible (Bloomsbury, 2018), and editor of The Disobedience of Design Gui Bonsiepe (Bloomsbury, 2021).Gui Bonsiepe studied information design at the hfg ulm (Hochschule für Gestaltung Ulm), Germany from 1955-1959, where he taught as Assistant Professor from 1960-1968. Since 1968 he has been a designer and consultant for industrialization policy in Chile, Argentina, and Brazil. From 1993-2003 he was Professor of Interface Design at the University of Applied Sciences, Cologne, Germany. He lives and works in Brazil and Argentina.

Riassunto

Provides for the first time in English a curated selection of the writings of the design thinker Gui Bonsiepe, representing his writings on the Ulm design school, on the relations of “core” and “periphery” and design as a tool for social and political change.

Prefazione

Provides for the first time in English a curated selection of the writings of the design thinker Gui Bonsiepe, representing his writings on the Ulm design school, on the relations of “core” and “periphery” and design as a tool for social and political change.

Testo aggiuntivo

Wielding a powerful dissenting design imagination, Gui Bonsiepe is one of the most complex and accomplished design thinkers of our time. As this judiciously organized collection of his writings and projects demonstrates, beginning with his work in Ulm in the 1960s and then in Latin America after 1970, and continuing through to his pioneering development of ontological interface design in the 1990s through to his more recent critiques of "design thinking", The Disobedience of Design offers perspectives that challenge, radically, the limitations of contemporary European and American design practice and theory.

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