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This book presents original essays that explore the eclecticism of Harlem Renaissance literature and culture.
Info autore
Rachel Farebrother is Senior Lecturer in American Studies at Swansea University. She is the author of The Collage Aesthetic in the Harlem Renaissance (2009), which was awarded honourable mention in the 2010 British Association of American Studies book prize. Her essays have appeared in Journal of American Studies, MELUS, and Modernism/Modernity and various edited collections including Fionnghuala Sweeney and Kate Marsh's Afromodernisms: Paris, Harlem, and the Avant-Garde (2013) and Peter Brooker and Andrew Thacker's The Oxford Cultural and Critical History of Modernist Magazines: Volume II, North America (2012).Miriam Thaggert is Associate Professor of English, Department of English, SUNY-Buffalo. She is the author of Images of Black Modernism: Verbal and Visual Strategies of the Harlem Renaissance (2010). Her essays have appeared in African American Review, American Quarterly, American Literary History, Feminist Modernist Studies, and Meridians. Her second book is a social and literary history of African American women and the railroad in American culture in the nineteenth and early twentieth centuries.
Riassunto
This book presents original essays that provide comprehensive analysis of the dynamism of Harlem Renaissance literature and culture. An authoritative collection on the major writers and issues of the period, it takes stock of nearly a hundred years of Harlem Renaissance studies.
