Millard Meiss, American Art History, and Conservation From Connoisseurship to Iconology and Kulturgeschichte

Sommario

Introduction
1. Two Generations of American Connoisseurs
2. The Far Side of the Moon: Erwin Panofsky’s Iconology
3. Kulturgeschichte or Social History of Art?
4. The Technical Study of Art
5. Italian "Meiss-Fortunes"

Info autore

Jennifer Cooke is a researcher in History of Art Criticism and Museum Studies at the University of Turin.

Riassunto

A member of the art history generation from the golden age of the 1920s and 30s, Millard Meiss (1904-1975) developed a new and multi-faceted methodological approach.

Testo aggiuntivo

"Cooke presents an incisive and scrupulously referenced evaluation of Meiss’s art-historical writing, which incorporates the fruit of her archival research in his extensive personal correspondence with many other noted art historians, heritage superintendents and art conservators."
--Journal of Art Historiography

Dettagli sul prodotto

• Autori: Jennifer (University of Turin) Cooke, Cooke Jennifer, Jennifer Cooke, Cooke
• Editore: Taylor & Francis Ltd.
• Contenuto: Libro
• Forma del prodotto: Copertina rigida
• Data pubblicazione: 31.10.2020
• Categoria: Scienze umane, arte, musica > Arte > Tematiche generali, enciclopedie
• EAN: 9780367138349
• ISBN: 978-0-367-13834-9
• Numero di pagine: 220
• Serie: Studies in Art Historiography
• Categorie: Theory of art, European History, ART / History / General, ART / Conservation & Preservation, HISTORY / United States / 20th Century, HISTORY / Historiography, ART / Criticism & Theory, HISTORY / Europe / Italy, ART / European, HISTORY / Study & Teaching, ART / History / Contemporary (1945-), della, Santa Maria delle Grazie, Historiography, History of Art, Art & design styles: from c 1960, History of the Americas, Museology & heritage studies, Museology and heritage studies, History: theory and methods, ART / History / European / Medieval, social history of art, Art historiography, archival research methods, florentine painting, Early Netherlandish painting, mural paintings, Princeton University Art Museum, Tempio Malatestiano, Taddeo Gaddi, Walters Art Gallery, Andrea Del Castagno, restoration techniques, Erwin Panofsky influence, medieval painting analysis, American art historical methodology, Gazette Des Beaux Arts, Iconological Method, 15th century art, Late Trecento, Disguised Symbolism, Neri Pozza, Iconological Interpretation, Rucellai Madonna, American Art Historian, Iconological Studies, Scrovegni Chapel