Gothic Sculpture Eloquence, Craft, and Materials

Informationen zum Autor Paul Binski is professor of the history of medieval art at Cambridge University. Klappentext In this beautifully illustrated study, Paul Binski offers a new account of sculpture in England and northwestern Europe between c. 1000 and 1500, examining Romanesque and Gothic art as a form of persuasion. Binski applies rhetorical analysis to a wide variety of stone and wood sculpture from such places as Wells, Westminster, Compostela, Reims, Chartres, and Naumberg. He argues that medieval sculpture not only conveyed information but also created experiences for the subjects who formed its audience. Without rejecting the intellectual ambitions of Gothic art, Binski suggests that surface effects, ornament, color, variety, and discord served a variety of purposes. In a critique of recent affective and materialist accounts of sculpture and allied arts, he proposes that all materials are shaped by human intentionality and artifice, and have a "poetic." Exploring the imagery of growth, change, and decay, as well as the powers of fear and pleasure, Binski allows us to use the language and ideas of the Middle Ages in the close reading of artifacts. Published in association with the Paul Mellon Centre for Studies in British Art

Dettagli sul prodotto

• Autori: Paul Binski, Paul (University of Manchester) Binski, Binski Paul
• Editore: Yale University Press Ltd
• Contenuto: Libro
• Forma del prodotto: Copertina rigida
• Data pubblicazione: 31.05.2019
• Categoria: Scienze umane, arte, musica > Arte > Storia dell'arte
• EAN: 9780300241433
• ISBN: 978-0-300-24143-3
• Numero di pagine: 296
• Serie: The Paul Mellon Centre for Studies in British Art, Paul Mellon Centre for Studies, The Paul Mellon Centre for Studies in British Art, Paul Mellon Centre for Studies, Studies in British Art, The Association of Human Rights Institutes series
• Categorie: History of Art, History of art: Byzantine & Medieval art c 500 CE to c 1400, Non-graphic art forms, Medieval style, Non-graphic and electronic art forms, ART / History / European / Medieval