Ulteriori informazioni
This volume explores the ways films made by Latin American directors and/or co-produced in Latin American countries have employed the road movie genre to address the reconfiguration of the geographical, sociopolitical, economic, and cultural landscape of Latin America.
Info autore
Verónica Garibotto is Assistant Professor in the Department of Spanish and Portuguese at the University of Kansas, USA. Her book
Crisis y reemergencia
examines the crisis of the nineteenth century as a discursive formation after the 1990s. Her articles have appeared in
Journal of Latin American Cultural Studies
,
Revista Iberoamericana
,
Revista de Estudios Hispánicos
, and
Studies in Hispanic Cinemas
.
Jorge Pérez is Associate Professor and Chair of the Department of Spanish and Portuguese at the University of Kansas, USA. He is the author of
Cultural Roundabouts
, a study of Spanish road movies and novels, and has published articles in
ALEC
,
Arizona Journal of Hispanic Cultural Studies
,
España Contemporánea
,
Journal of Spanish Cultural Studies
,
Revista de Estudios Hispánicos
, and
Studies in Hispanic Cinemas
.
Riassunto
This book explores the ways films made by Latin American directors and/ or co-produced in Latin American countries have employed the road movie genre to address the reconfiguration of the geographical, sociopolitical, economic, and cultural landscape of the region. With a corpus of more than two hundred films, Latin American road movies have achieved a high profile in the last two decades at major film festivals and profitable results at the box office.
The Latin American Road Movie’s
twelve essays traverse diverse cinematic routes and cover extensive geographical landscapes from a common point of departure: The traveling narrative of the road movie and its focus on crossing borders—physical, metaphorical, theoretical—make the genre ideal for reexamining the ideological grounds of national and regional discourses.
