Ulteriori informazioni
This edited collection explores how contemporary Latin American cinema has dealt with and represented issues of human rights, moving beyond many of the recurring topics for Latin American films. Through diverse interdisciplinary theoretical and methodological approaches, and analyses of different audiovisual media from fictional and documentary films to digitally-distributed activist films, the contributions discuss the theme of human rights in cinema in connection to various topics and concepts.
Chapters in the volume explore the prison system, state violence, the Mexican dirty war, the Chilean dictatorship, debt, transnational finance, indigenous rights, social movement, urban occupation, the right to housing, intersectionality, LGBTT and women's rights in the context of a number of Latin American countries. By so doing, it assesses the long overdue relation between cinema and human rights in the region, thus opening new avenues to aid the understanding of cinema's role in social transformation.
Info autore
Mariana Cunha
is a postdoctoral research fellow (CAPES) at the Federal University of Pernambuco, Brazil. She holds a PhD from Birkbeck, University of London, UK, and has published articles on cinematic space, landscape, nature, Brazilian and global contemporary cinema. She co-edited the volume
Space and Subjectivity in Contemporary Brazilian Cinema
(Palgrave Macmillan, 2017).
Antônio Márcio da Silva
is Associate Lecturer at the University of Surrey and Queen Mary University of London, UK. His publications include the co-edited collection
Space and Subjectivity in Contemporary Brazilian Cinema
(Palgrave Macmillan, 2017), the monograph
The ‘Femme’ Fatale in Brazilian Cinema: Challenging Hollywood Norms
(Palgrave Macmillan, 2014) and a number of articles.
Riassunto
This edited collection explores how contemporary Latin American cinema has dealt with and represented issues of human rights, moving beyond many of the recurring topics for Latin American films. Through diverse interdisciplinary theoretical and methodological approaches, and analyses of different audiovisual media from fictional and documentary films to digitally-distributed activist films, the contributions discuss the theme of human rights in cinema in connection to various topics and concepts.
Chapters in the volume explore the prison system, state violence, the Mexican dirty war, the Chilean dictatorship, debt, transnational finance, indigenous rights, social movement, urban occupation, the right to housing, intersectionality, LGBTT and women’s rights in the context of a number of Latin American countries. By so doing, it assesses the long overdue relation between cinema and human rights in the region, thus opening new avenues to aid the understanding of cinema’s role in social transformation.
