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Informationen zum Autor Tricia Jenkins is Associate Professor of Film, Television and Digital Media at Texas Christian University, USA, where she teaches classes on film festivals and media studies. Klappentext A wide-ranging collection of innovative and leading scholarship on the international film festival. Vorwort A wide-ranging collection of innovative and leading scholarship on the international film festival. Zusammenfassung A wide-ranging collection of innovative and leading scholarship on the international film festival. Inhaltsverzeichnis List of IllustrationsAbout the Contributors IntroductionSection I. (Re) Conceptualizing the Film Festival: Contemporary Practices1. “You Had to Be There:” Film Festival “Liveness” and the Digitally Connected Audience2. New Perspectives for Online Film Festivals3. The Fully Clickable Situation: From Tyranny to Monopoly to a Filmfreeway4. Constructing Film Festival Audiences: Performative Practices and Material Conditions5. Genre Film Festivals and Rethinking the Definition of “The Festival Film”Section II. (Re) Assessing the Past: Historical Approaches to the Film Festival6. A Transnational Love–Hate Relationship: The FIAPF and the Venice and Cannes Film Festivals (1950–1970)7. Screens for Historical Awareness: Festivals and the Patrimonialization of Film Art in France before 19688. Queer Capital, Queer Culture: Gay and Lesbian Film Festivals in the 1990s9. Visible Art, Invisible Nations? On the Politics of Film Festivals, Hou Hsiao-Hsien, and Taiwan New Cinema10. The Urban and Cultural Functions of the Gdynia Film FestivalSection III. with Festival Insiders11. Building IFF Panama from the Ground Up: An Interview with Executive Director Pituka Ortega-Heilbron and Artistic Director Diana Sánchez12. Perspectives from a Mexican Newcomer: An Interview with Daniela Michel and Chloë Roddick of the Morelia International Film FestivalBibliography
